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Varaha Purana 185.10: Adhyaya 185, Shloka 10

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विकार अविकार अकार सकार शकार षकार स्वच्छन्दरूपः क्षरमक्षरं धृतिरूपः अरूपमिति नमः पुरुषोत्तमायेति ॥ व्यतीतायां तु शर्वर्यामुदिते च दिवाकरे ॥ अश्वेन च मुहूर्तेन प्राप्ते मूलेषु चोत्तरे ।

Sanskrit recitationVaraha Purana 185.10

vikāra avikāra akāra sakāra śakāra ṣakāra svacchandarūpaḥ kṣaram akṣaraṃ dhṛtirūpaḥ arūpam iti namaḥ puruṣottamāyeti || vyatītāyāṃ tu śarvaryām udite ca divākare || aśvena ca muhūrtena prāpte mūleṣu cottare |

“(അങ്ങ്) വികാരവും അവികാരവും; അ, സ, ശ, ഷ എന്ന അക്ഷരങ്ങൾ; സ്വേച്ഛാരൂപൻ; ക്ഷരവും അക്ഷരവും; ധൃതിരൂപൻ; അരൂപൻ”—ഇങ്ങനെ: “പുരുഷോത്തമനു നമസ്കാരം।” രാത്രി കഴിഞ്ഞ് സൂര്യൻ ഉദിച്ചപ്പോൾ, അശ്വിന എന്ന മുഹൂർത്തം വന്നപ്പോൾ, (ചന്ദ്രൻ) മൂല നക്ഷത്രത്തിലും ഉത്തര വിഭാഗം/ദിക്കിലും ഉണ്ടായിരിക്കുമ്പോൾ…

विकारchange / modification
विकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootविकार (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), प्रथमा (Nominative; नामनिर्देश), एकवचन (Singular)
अविकारunchanging / without modification
अविकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootअविकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
अकारthe letter ‘a’
अकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootअकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्णवाचक (letter-name)
सकारthe letter ‘sa’
सकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootसकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्णवाचक
शकारthe letter ‘śa’
शकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootशकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्णवाचक
षकारthe letter ‘ṣa’
षकार:
Sambandha (सम्बन्ध)
TypeNoun
Rootषकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; वर्णवाचक
स्वच्छन्दरूपःwhose form is self-willed / free
स्वच्छन्दरूपः:
Karta (कर्ता)
TypeAdjective
Rootस्वच्छन्द + रूप (प्रातिपदिक; components)
Formपुंलिङ्ग (Masculine), प्रथमा (Nominative), एकवचन; विशेषण (qualifier) of implied deity
क्षरम्the perishable
क्षरम्:
Karma (कर्म)
TypeNoun
Rootक्षर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative; as appositional epithet), एकवचन
अक्षरम्the imperishable
अक्षरम्:
Karma (कर्म)
TypeNoun
Rootअक्षर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
धृतिरूपःwhose form is steadfastness
धृतिरूपः:
Karta (कर्ता)
TypeAdjective
Rootधृति + रूप (प्रातिपदिक; components)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण
अरूपम्the formless
अरूपम्:
Karma (कर्म)
TypeNoun
Rootअरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
इतिthus
इति:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; उद्धरणसूचक
नमःsalutation
नमः:
Sambandha (सम्बन्ध)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (interjectional), एकवचन
पुरुषोत्तमायto Puruṣottama
पुरुषोत्तमाय:
Sampradāna (सम्प्रदान)
TypeNoun
Rootपुरुषोत्तम (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (Dative/सम्प्रदान), एकवचन
इतिthus
इति:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; उद्धरणसूचक
व्यतीतायाम्when (it) has passed
व्यतीतायाम्:
Adhikaraṇa (अधिकरण)
TypeVerb
Rootवि-अति-इ (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle) स्त्रीलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन; ‘when (night) has passed’
तुthen / indeed
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
शर्वर्याम्in the night
शर्वर्याम्:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootशर्वरी (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन
उदितेwhen (it) has risen
उदिते:
Adhikaraṇa (अधिकरण)
TypeVerb
Rootउद्-इ (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (Locative), एकवचन; agreeing with दिवाकरे
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
दिवाकरेin the sun (day-maker)
दिवाकरे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootदिवाकर (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन
अश्वेनby a horse / with a horse
अश्वेन:
Karaṇa (करण)
TypeNoun
Rootअश्व (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Instrumental/करण), एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय
मुहूर्तेनwithin a muhūrta / by a muhūrta (time-span)
मुहूर्तेन:
Karaṇa (करण)
TypeNoun
Rootमुहूर्त (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Instrumental/करण), एकवचन
प्राप्तेwhen (it) has arrived
प्राप्ते:
Adhikaraṇa (अधिकरण)
TypeVerb
Rootप्र-आप् (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुं/नपुंसकलिङ्ग, सप्तमी (Locative), एकवचन; ‘when (it) has arrived’
मूलेषुin the Mūla (nakṣatra) days / at Mūla
मूलेषु:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootमूल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative/अधिकरण), बहुवचन (Plural)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय
उत्तरेin the northern (one)
उत्तरे:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootउत्तर (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, सप्तमी (Locative), एकवचन; विशेषण (qualifier) of implied (nakṣatra/region)

Varāha (default, instructional voice)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Instructional teaching to Bhū/Pr̥thivī implied by context; no explicit physical interaction stated"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Recite the Puruṣottama-praṇāma mantra with specified epithets, timed after night’s end at sunrise, in the Aśvinī muhūrta, with lunar/asterismal conditions (Mūla; ‘uttara’ sector).","karmic_consequence":"Correct kāla-niyama yields siddhi/śānti; wrong timing diminishes fruit and is treated as kāla-doṣa in prayoga."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The mantra’s pairing of vikāra/avikāra and kṣara/akṣara frames the deity as both manifest change and changeless ground—typical Vedāntic identification of Nārāyaṇa/Puruṣottama as immanent and transcendent.","yajna_varaha_imagery":"Not explicit to Varāha’s body-parts; instead, phonemic and ontic mapping: syllabic forms (a/sa/śa/ṣa) and categories (kṣara/akṣara; rūpa/arūpa) function as ‘yajña-limbs’ of sacred speech.","vedantic_connection":"Echoes the Bhagavadgītā’s kṣara-akṣara-Puruṣottama triad and Upaniṣadic non-duality: the formless (arūpa) as the support (dhṛti) of all forms."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Vedāntic theism / mantra-metaphysics","core_concept":"The Supreme Person encompasses opposites—change/unchange, perishable/imperishable, form/formless—yet remains the sustaining steadfastness (dhṛti).","practical_application":"Use the epithets as contemplative anchors during japa at dawn; align practice with prescribed muhūrta for steadiness and clarity."}

Subject Matter: ["Mantra Practice","Timekeeping","Ritual Studies","Philosophical Vocabulary"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: temporal_sacred_window

Related Themes: Varāha Purāṇa 185.9.0 (praṇāma as preface); Varāha Purāṇa 185.13.0 (ritual materials + same praṇāma)

Visual Art Cues: {"scene_description":"At dawn, a devotee recites a long Puruṣottama-stuti mantra, with the rising sun and a calendrical motif (nakṣatra wheel) indicating the Aśvinī muhūrta and Mūla alignment.","item_prompts":["rising sun over horizon","priest/devotee with japa-mālā","nakṣatra-cakra diagram","script scroll with syllables a/sa/śa/ṣa","water pot for dawn rite"],"kerala_mural_prompt":"Kerala mural: sunrise gradient, stylized nakṣatra wheel, devotee in profile chanting; warm ochres and deep reds.","tanjore_prompt":"Tanjore: gold-leaf sun disc, ornate nakṣatra medallion, richly decorated altar; mantra-scroll highlighted.","mysore_prompt":"Mysore: refined dawn landscape, subtle astronomical symbols, serene chanting figure with mālā.","pahari_prompt":"Pahari: lyrical sunrise in hills, delicate star-wheel motif, intimate devotional posture, cool-to-warm palette transition."}

Audio Atmosphere: {"recitation_mood":"majestic, contemplative stuti with precise timing","suggested_raga":"Ahir Bhairav","pace":"medium-slow (measured for long compounds)","voice_tone":"sonorous, steady, slightly elevated for stotra-like cadence"}

P
Purāṇa
V
Vaiṣṇavism
S
Sanskrit Mantra
C
Calendrical Tradition

FAQs

It combines mantra-theology with calendrical markers (muhūrta, nakṣatra), illustrating how Purāṇic ritual texts embed astronomical timing within liturgy.

No explicit place-name appears; 'uttare' indicates a northern orientation/sector rather than a named site.

Attentiveness to timing and disciplined recitation: correct temporal alignment is treated as integral to careful performance.

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