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Varaha Purana 172.47 — Adhyaya 172, Shloka 47

The Harm of Destroying a Grove and the Merit of Tree-Planting as Pūrta-Dharma

उत्पपात ततः स्थानाद्यत्र राजा व्यवस्थितः ॥ राज्ञे निवेदयामास रत्नानि सुबहूनि च ॥

utpapāta tataḥ sthānād yatra rājā vyavasthitaḥ || rājñe nivedayāmāsa ratnāni subahūni ca ||

അപ്പോൾ അവൻ ആ സ്ഥലത്തിൽ നിന്ന് വേഗത്തിൽ പുറപ്പെട്ടു രാജാവ് നിലകൊണ്ടിരുന്നിടത്തേക്ക് ചെന്നു, രാജാവിന് അനവധി രത്നങ്ങൾ സമർപ്പിച്ചു।

उत्पपातleapt up/rose
उत्पपात:
Kriyā (क्रिया)
TypeVerb
Rootउत्-√पत् (धातु)
Formलङ् (Imperfect/past), प्रथमपुरुष (3rd person), एकवचन (singular), परस्मैपद
ततःthen/from there
ततः:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootततः (अव्यय/तद्-तसिल्)
Formअव्यय, अपादान/कालवाचक (from there/then)
स्थानात्from the place
स्थानात्:
Apādāna (अपादान)
TypeNoun
Rootस्थान (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), पञ्चमी विभक्ति (ablative/5th), एकवचन (singular)
यत्रwhere
यत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootयत्र (अव्यय)
Formअव्यय, देशवाचक (relative adverb: where)
राजाthe king
राजा:
Karta (कर्ता)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा विभक्ति (nominative/1st), एकवचन (singular)
व्यवस्थितःwas stationed/standing
व्यवस्थितः:
Karta (कर्ता)
TypeVerb
Rootवि-अव-√स्था (धातु)
Formक्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; स्थितः = 'standing/being stationed'
राज्ञेto the king
राज्ञे:
Sampradāna (सम्प्रदान)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी विभक्ति (dative/4th), एकवचन
निवेदयामासpresented/offered
निवेदयामास:
Kriyā (क्रिया)
TypeVerb
Rootनि-√विद् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd person), एकवचन (singular), परस्मैपद; causative sense in usage 'to present/announce'
रत्नानिgems/jewels
रत्नानि:
Karma (कर्म)
TypeNoun
Rootरत्न (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति (accusative/2nd), बहुवचन (plural)
सुबहूनिvery many
सुबहूनि:
Karma (कर्म)
TypeAdjective
Rootसु + बहु (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, बहुवचन; विशेषण (adjective) रत्नानि प्रति
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय, समुच्चयबोधक (conjunction)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"nīti (courtly ethics)","core_concept":"Upahāra (gift-offering) as a social-sacral act that establishes trust and auspicious rapport with authority.","practical_application":"Approach leaders with respectful offerings and clear intent; let material gifts serve dharmic relationship-building rather than greed."}

Subject Matter: ["Royal audience","Material culture (ratna)","Narrative movement"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: royal court/assembly hall

Related Themes: Varāha Purāṇa 172.53-56 (royal reception; āścarya; senāpati instruction)

Visual Art Cues: {"scene_description":"A dignified figure hastens into a royal hall and presents a heap of jewels before a seated king attended by courtiers.","item_prompts":["king on throne","court pillars and canopy","messenger/guest in motion","piled jewels (ratna) in cloth or casket","attendants and guards","gesture of offering (nivedana)"],"kerala_mural_prompt":"Kerala mural style: flat yet ornate court interior, saturated reds/ochres, stylized jewelry heap, formal hand-gestures (mudrā) of offering.","tanjore_prompt":"Tanjore style: central king with gold-leaf throne and arch, raised jewel textures, rich textiles, symmetrical attendants.","mysore_prompt":"Mysore style: refined linework, soft shading, elegant court architecture, jewel casket rendered with delicate highlights.","pahari_prompt":"Pahari style: intimate palace chamber, lyrical figures, patterned floor, jewel heap as bright focal accent against muted background."}

Audio Atmosphere: {"recitation_mood":"narrative-formal","suggested_raga":"Kambhoji","pace":"medium","voice_tone":"clear, courtly, descriptive"}

C
Classical Literature
P
Purāṇic Narrative
C
Court Culture
M
Material Heritage

FAQs

It provides a literary snapshot of diplomatic/ritual exchange (presentation of valuables) that parallels known patterns of elite interaction in premodern South Asia.

No explicit place-name appears in this verse; it situates action at a royal station or court setting.

The narrative reinforces norms of formal approach—seeking audience properly and offering gifts as markers of respect and intent.

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