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Varaha Purana 112.43 — Adhyaya 112, Shloka 43

Praise and Procedure of Donating the Two-Faced Kapilā Cow and the Golden Pot

Hema-kumbha

वदन्ति तां चन्द्रसमानवक्त्रां प्रतप्तजाम्बूनदतुल्यवर्णाम् ॥ महासितत्त्वां तनुवृत्तमध्यां सेवन्त्यजस्रं कुलिता हि देवाः ॥

vadanti tāṃ candrasamānavaktrāṃ prataptajāmbūnadatulyavarṇām | mahāsitattvāṃ tanuvṛttamadhyāṃ sevantyajasraṃ kulitā hi devāḥ ||

അവളെ ചന്ദ്രസമാനമുഖമുള്ളവളായി, ശുദ്ധ ജാംബൂനദ-സ്വർണ്ണസമാന വർണ്ണമുള്ളവളായി, മഹാശുഭതത്ത്വസമ്പന്നയായി, സുന്ദരമായി രൂപപ്പെട്ട സ്ലിം നടുവുള്ളവളായി അവർ വർണ്ണിക്കുന്നു. ദേവന്മാർ തീർച്ചയായും അവളെ നിരന്തരം സേവിക്കുന്നു.

वदन्तिthey say
वदन्ति:
Kriyā (क्रिया)
TypeVerb
Rootvad (वद्, धातु)
Formलट्-लकार, परस्मैपद, प्रथमपुरुष, बहुवचन
ताम्her
ताम्:
Karma (कर्म)
TypeNoun
Roottad (प्रातिपदिक)
Formसर्वनाम, स्त्रीलिङ्ग, द्वितीया, एकवचन
चन्द्रसमानवक्त्राम्whose face is like the moon
चन्द्रसमानवक्त्राम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootcandra (प्रातिपदिक) + samāna (प्रातिपदिक) + vaktra (प्रातिपदिक)
Formतत्पुरुष-समास (उपमान-सम्बन्धः): ‘चन्द्रेण समानं वक्त्रं यस्याः/यस्य’ → चन्द्रसमानवक्त्रा; स्त्रीलिङ्ग, द्वितीया, एकवचन; ‘ताम्’ इति विशेषणम्
प्रतप्तजाम्बूनदतुल्यवर्णाम्of color like heated Jāmbūnada-gold
प्रतप्तजाम्बूनदतुल्यवर्णाम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpratapta (कृदन्त) + jāmbūnada (प्रातिपदिक) + tulya (प्रातिपदिक) + varṇa (प्रातिपदिक)
Formतत्पुरुष-समास (निर्धारण/उपमान): ‘प्रतप्त-जाम्बूनद-सदृशः वर्णः यस्याः’ → प्रतप्तजाम्बूनदतुल्यवर्णा; स्त्रीलिङ्ग, द्वितीया, एकवचन
महासितत्त्वाम्of great radiance/whiteness
महासितत्त्वाम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmahā (प्रातिपदिक) + sita (प्रातिपदिक) + tvā (त्व, भावप्रत्यय)
Formतत्पुरुष-समास: ‘महान् सितत्त्वः/सितत्त्वा’ (great whiteness/brightness); स्त्रीलिङ्ग, द्वितीया, एकवचन; ‘ताम्’ इति विशेषणम्
तनुवृत्तमध्याम्slender-waisted
तनुवृत्तमध्याम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottanu (प्रातिपदिक) + vṛtta (कृदन्त/प्रातिपदिक) + madhya (प्रातिपदिक)
Formतत्पुरुष-समास: ‘तनु-वृत्तं मध्यं यस्याः’ → तनुवृत्तमध्या; स्त्रीलिङ्ग, द्वितीया, एकवचन
सेवन्तिthey serve
सेवन्ति:
Kriyā (क्रिया)
TypeVerb
Rootsev (सेव्, धातु)
Formलट्-लकार, परस्मैपद, प्रथमपुरुष, बहुवचन
अजस्रम्unceasingly
अजस्रम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootajasra (प्रातिपदिक)
Formअव्यय (क्रियाविशेषण), नित्यत्ववाचक (adverb of continuity)
कुलिताःkulita (epithet; possibly ‘assembled/attentive’)
कुलिताः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkulita (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, बहुवचन; ‘देवाः’ इति विशेषणम् (meaning uncertain/rare epithet)
हिindeed
हि:
Sambandha-bodhaka (सम्बन्ध/निपात)
TypeIndeclinable
Roothi (अव्यय)
Formअव्यय, निपात (particle), हेत्वर्थ/निश्चयार्थ (indeed/for)
देवाःthe gods
देवाः:
Karta (कर्ता)
TypeNoun
Rootdeva (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, बहुवचन

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"stuti/guṇa-kīrtana (iconographic-ethical)","core_concept":"Auspicious form (śrī/maṅgala) is recognized as worthy of continual reverence by devas; beauty is framed as a sign of sattva and puṇya.","practical_application":"Cultivate reverence (māna) toward embodiments of śrī—especially dharma-aligned feminine divinity (e.g., Bhū/Śrī)—through respectful speech and ritual attention."}

Subject Matter: ["Ethics","Iconography","Cultural Heritage"]

Primary Rasa: śṛṅgāra

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa 112 (adjacent verses on recitation/merit)

Visual Art Cues: {"scene_description":"A divine woman of auspicious essence is praised: moon-like face, refined golden complexion, slender waist; devas stand around in continuous attendance, offering homage.","item_prompts":["moon-like face (candrasama-vaktra)","jāmbūnada-gold complexion","slender waist","devas with añjali-mudrā","garlands, lamps, incense","aura/tejas indicating maṅgala-sattva"],"kerala_mural_prompt":"Kerala mural style: central auspicious goddess-like figure with candrasama face and jāmbūnada hue, ornate jewelry, devas in rows offering lamps and flowers, flat warm palette, bold outlines, serene maṅgala bhāva.","tanjore_prompt":"Tanjore style: gold-leaf heavy ornamentation emphasizing jāmbūnada complexion, embossed jewelry and halo, devas as smaller attendants with offerings, rich reds/greens, temple-like arch frame.","mysore_prompt":"Mysore style: delicate linework, soft shading on golden complexion, refined jewelry, devas in gentle reverential poses, calm luminous background.","pahari_prompt":"Pahari style: lyrical courtly composition, pale moon-face with warm golden tones, slender-waisted figure in elegant drapery, devas as stylized attendants, minimal background with decorative flora."}

Audio Atmosphere: {"recitation_mood":"stuti (laudatory, auspicious)","suggested_raga":"Madhyamāvati","pace":"medium","voice_tone":"clear, reverent, slightly lyrical"}

C
Classical Literature
P
Purāṇic Poetics
V
Vaiṣṇavism
R
Ritual Culture

FAQs

It illustrates Purāṇic laudatory style (stuti) where ethical ideals are reinforced through elevated aesthetic description, supporting the cultural value of protection and gifting.

No geographic site is specified; 'Jāmbūnada' refers to a mythic-gold term associated with Purāṇic cosmography rather than a mapped location.

By praising the archetype of the cow, the verse indirectly supports norms of reverence, protection, and generosity associated with go-dāna.

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