तस्य भार्या महाराज ईश्वरीति च विश्रुता । यक्षो यक्षाधिपः श्रेष्ठस्तस्य कुण्डोऽभवत्सुतः
tasya bhāryā mahārāja īśvarīti ca viśrutā | yakṣo yakṣādhipaḥ śreṣṭhastasya kuṇḍo'bhavatsutaḥ
ഹേ മഹാരാജാ, അവന്റെ ഭാര്യ ‘ഈശ്വരി’ എന്ന പേരിൽ പ്രസിദ്ധയായിരുന്നു. ആ ശ്രേഷ്ഠ യക്ഷാധിപന് ‘കുണ്ഡ’ എന്ന പുത്രൻ ഉണ്ടായി।
Mārkaṇḍeya
Listener: Mahārāja (king)
Scene: A royal Yakṣa court scene: Vaiśravaṇa with queen Īśvarī; infant/young Kuṇḍa presented, surrounded by Yakṣa attendants and treasure motifs.
Purāṇic dharma preserves sacred lineages to show how virtues, roles, and responsibilities descend through generations.
Not specified in this verse; the chapter later situates Kuṇḍa’s tapas on the Narmadā bank.
None in this line; it introduces the characters for the ensuing tapas narrative.