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Skanda Purana — Avanti Khanda, Shloka 63

शब्दादिसङ्गदुष्टानि यदा नाक्षाणि नः शुभाः । तदा नृत्यादयो भावाः कथं लोभप्रदायिनः

śabdādisaṅgaduṣṭāni yadā nākṣāṇi naḥ śubhāḥ | tadā nṛtyādayo bhāvāḥ kathaṃ lobhapradāyinaḥ

ശബ്ദാദി വിഷയസ്പർശംകൊണ്ട് ഞങ്ങളുടെ ഇന്ദ്രിയങ്ങൾ ദൂഷിതമായി ശുഭമല്ലാതിരിക്കുമ്പോൾ, നൃത്താദി ഭാവങ്ങൾ എങ്ങനെ ലാഭം/ലോഭം നൽകുന്നവയായിരിക്കും?

शब्दादिसङ्गदुष्टानिcorrupted by association with sound etc.
शब्दादिसङ्गदुष्टानि:
Visheshana (Qualifier of ‘akṣāṇi’)
TypeAdjective
Rootशब्द-आदि-सङ्ग-दुष्ट (प्रातिपदिक; शब्द + आदि + सङ्ग + दुष्ट)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; तत्पुरुष-प्राय (शब्दादिसङ्गेन दुष्टानि)
यदाwhen
यदा:
Sambandha (Temporal)
TypeIndeclinable
Rootयदा (अव्यय)
Formकालवाचक अव्यय (relative adverb: when)
not
:
Sambandha (Negator)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेधार्थक अव्यय (negation)
अक्षाणिthe senses (organs)
अक्षाणि:
Karta (Subject)
TypeNoun
Rootअक्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन
नःour
नः:
Sambandha (Possessor)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formउत्तम-पुरुष सर्वनाम, षष्ठी-विभक्ति (Genitive), बहुवचन; एन्क्लिटिक
शुभाःgood/pure
शुभाः:
Visheshana (Predicate adjective)
TypeAdjective
Rootशुभ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; (अक्षाणि नपुंसक—अत्र लिङ्गव्यत्यय/पाठभेद सम्भवः; अर्थतः ‘शुभानि’)
तदाthen
तदा:
Sambandha (Temporal)
TypeIndeclinable
Rootतदा (अव्यय)
Formकालवाचक अव्यय (then)
नृत्यादयःdance and the like
नृत्यादयः:
Karta (Subject)
TypeNoun
Rootनृत्य-आदि (प्रातिपदिक; नृत्य + आदि)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; तत्पुरुष (नृत्यं आदिः येषाम्)
भावाःstates/activities
भावाः:
Apposition (To ‘nṛtyādayaḥ’)
TypeNoun
Rootभाव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन
कथम्how
कथम्:
Sambandha (Interrogative)
TypeIndeclinable
Rootकथम् (अव्यय)
Formप्रश्नार्थक अव्यय (interrogative adverb: how)
लोभप्रदायिनःgiving rise to greed
लोभप्रदायिनः:
Visheshana (Qualifier of ‘bhāvāḥ’)
TypeAdjective
Rootलोभ-प्रदायिन् (प्रातिपदिक; लोभ + प्रदायिन्)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; तत्पुरुष (लोभं प्रददाति इति)

Nārāyaṇa

Tirtha: Revā-kṣetra (contextual)

Type: kshetra

Listener: Kāma and apsarases (implicitly), with Mādhava present

Scene: A reflective, almost syllogistic moment: the speaker points to the senses as the locus of corruption by sound etc.; dance and display are shown as mere stimuli that fail to produce greed when the senses are auspicious.

N
Nārāyaṇa

FAQs

Craving arises only where the senses are undisciplined; purity of the senses makes temptations powerless.

None explicitly; it is a moral-psychological teaching within the Revā Khaṇḍa narrative.

No explicit rite; the implied sādhana is indriya-nigraha (sense-restraint).