ओङ्कार हुङ्कारपरिष्कृताय स्वधावषट्कार नमोनमस्ते । गुणत्रयेशाय महेश्वराय ते त्रयीमयाय त्रिगुणात्मने नमः
oṅkāra huṅkārapariṣkṛtāya svadhāvaṣaṭkāra namonamaste | guṇatrayeśāya maheśvarāya te trayīmayāya triguṇātmane namaḥ
ഓംകാര-ഹുംകാരങ്ങളാൽ അലങ്കൃതനും, സ്വധാ-വഷട് ഉച്ചാരണങ്ങളാൽ സ്തുത്യനുമായവനേ—നിനക്കു വീണ്ടും വീണ്ടും നമസ്കാരം. ഹേ മഹേശ്വരാ, ത്രിഗുണങ്ങളുടെ അധിപതേ! വേദത്രയീമയനേ, ത്രിഗുണാത്മനേ—നിനക്കു പ്രണാമം.
Likely Indra / Devas (a stuti section begins); exact speaker not explicit in the snippet
Tirtha: Revā-kṣetra (contextual)
Type: kshetra
Scene: A ritualized hymn scene: priests/sages chant Oṃ and Huṃ; offerings are made with svadhā and vaṣaṭ; Maheśvara appears as the embodiment of the Vedas and lord of the three guṇas.
The Supreme Lord is praised as the inner essence of mantra, Veda, and cosmic qualities—devotion unites ritual sound with realization.
No single place is named; the verse functions as a universal Śiva-stuti within the Revā Khaṇḍa.
It references yajña-liturgical utterances (svadhā, vaṣaṭ) and mantra-praise (Oṃ, Huṃ), implying worship through Vedic recitation and oblations.