आवरणपूजाविधानम् / The Procedure of Āvaraṇa (Enclosure) Worship
आस्वपृष्ठादिदेशेषु रत्नचामीकराचितः । काहलानि च रम्याणि नानानादकराणि च
āsvapṛṣṭhādideśeṣu ratnacāmīkarācitaḥ | kāhalāni ca ramyāṇi nānānādakarāṇi ca
വാഹനങ്ങളുടെ പൃഷ്ഠാദി ഭാഗങ്ങളിൽ രത്നവും സ്വർണ്ണവും പതിപ്പിച്ച ആഭരണങ്ങൾ ഉണ്ടായിരുന്നു. കൂടാതെ മനോഹരമായ കാഹളങ്ങൾ (തൂര്യങ്ങൾ)യും നാനാവിധ നാദം ഉളവാക്കുന്ന മറ്റു വാദ്യങ്ങളും ഉണ്ടായിരുന്നു.
Suta Goswami
Tattva Level: pasha
Shiva Form: Naṭarāja
It portrays the sanctified splendor surrounding Shiva’s sphere, showing that when the senses are oriented toward Pati (Shiva), even sound and ornament become expressions of bhakti rather than bondage.
The verse supports Saguna contemplation—Shiva’s manifest glory inspires devotion—while ultimately pointing the devotee toward the Linga as the stable focus through which the mind is gathered and offered to Shiva.
Use sacred sound in worship—chanting the Panchakshara (Om Namaḥ Śivāya) and accompanying it with devotional music or conch/trumpet-like auspicious sounds—so hearing becomes a disciplined limb of Shiva-bhakti.