Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
शब्दब्रह्म मयं वेणुमधः पाणिद्वये पुनः । गायत्रीगीतवसनं श्यामलं कोमलच्छविम् ॥ २७ ॥
śabdabrahma mayaṃ veṇumadhaḥ pāṇidvaye punaḥ | gāyatrīgītavasanaṃ śyāmalaṃ komalacchavim || 27 ||
വീണ്ടും ഞാൻ കണ്ടു—ശബ്ദബ്രഹ്മമയമായ വേണുവിനെ അവൻ ഇരുകൈകളിലും താഴെ ധരിച്ചിരിക്കുന്നു; ഗായത്രീഗീതം തന്നെയായ വസ്ത്രം ധരിച്ച്, ശ്യാമവർണ്ണനും কোমലപ്രഭയുമുള്ളവൻ।
Narada (describing a vision/meditative perception within the teaching dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It identifies sacred sound (śabda-brahma) as a direct form of the Absolute and presents mantra—especially Gāyatrī—as a living, embodied power that clothes and reveals the divine presence in meditation.
By portraying the divine as approachable through sound and song, it frames devotion as attentive listening, chanting, and contemplative remembrance—where mantra becomes both ornament and vehicle of loving focus.
The verse points to mantra-śāstra and chandas (Vedic metre) through Gāyatrī, emphasizing correct recitation and sonic discipline—key concerns of Śikṣā (phonetics) and Chandas within Vedāṅga practice.