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Narada Purana — Purva Bhaga, Shloka 55

Dīpa-vidhi-vyākhyānam

Procedure for Lamp-Offering to Hanumān

पंचोपचारैः संपूज्य देशकालौ च कीर्तेत् । कुशोदकं समादाय दीपमंत्रं समुञ्चरेत् ॥ ५५ ॥

paṃcopacāraiḥ saṃpūjya deśakālau ca kīrtet | kuśodakaṃ samādāya dīpamaṃtraṃ samuñcaret || 55 ||

പഞ്ചോപചാരങ്ങളാൽ സമ്യക്പൂജ ചെയ്ത് ദേശവും കാലവും കീർത്തിക്കണം. തുടർന്ന് കുശാസംയുക്ത ജലം എടുത്ത് ദീപമന്ത്രം ഉച്ചരിക്കണം॥५५॥

पञ्चोपचारैःwith five offerings/services
पञ्चोपचारैः:
करण (Instrument/करण)
TypeNoun
Rootपञ्च + उपचार (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण/Instrumental), बहुवचन; समासः—षष्ठी-तत्पुरुषः (पञ्चानाम् उपचाराणाम्)
सम्पूज्यhaving duly worshipped
सम्पूज्य:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeVerb
Rootसम् + पूज् (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभाव; ‘having worshipped’
देशकालौplace and time
देशकालौ:
कर्म (Object/कर्म)
TypeNoun
Rootदेश (प्रातिपदिक) + काल (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative/कर्म), द्विवचन; समासः—इतरेतर-द्वन्द्वः
and
:
सम्बन्ध (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
कीर्तेत्should mention/recite
कीर्तेत्:
क्रिया (Action/क्रिया)
TypeVerb
Rootकीर्त् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
कुशोदकम्water with kuśa grass
कुशोदकम्:
कर्म (Object/कर्म)
TypeNoun
Rootकुश + उदक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative/कर्म), एकवचन; समासः—तत्पुरुषः (कुशैः युक्तम् उदकम्)
समादायhaving taken
समादाय:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeVerb
Rootसम् + आ + दा (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभाव; ‘having taken’
दीपमन्त्रम्the lamp-mantra
दीपमन्त्रम्:
कर्म (Object/कर्म)
TypeNoun
Rootदीप + मन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative/कर्म), एकवचन; समासः—तत्पुरुषः (दीपस्य मन्त्रः)
समुञ्चरेत्should utter/recite
समुञ्चरेत्:
क्रिया (Action/क्रिया)
TypeVerb
Rootसम् + उच्चर् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन

Narada (teaching a technical ritual sequence within Vedanga-style procedure)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

FAQs

It emphasizes ritual correctness and sacred intentionality: worship is completed not only by offerings (pañcopacāra) but also by consciously marking place and time, then sanctifying the act through kuśodaka and mantra.

Bhakti here is expressed as attentive service—offering the five upacāras and lighting the lamp with mantra. The devotion becomes focused and reverent when performed with proper saṅkalpa-like clarity of deśa and kāla.

It reflects ritual praxis tied to Vedāṅga-style discipline: correct sequencing of upacāras, formal declaration of deśa-kāla (procedural precision), and mantra-prayoga using sanctified kuśa water.