The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
दशावतारो नृहरिं बीजं खं शक्तिरव्ययः । षड्दीर्घाढ्येन बीजेन कृत्वाङ्गानि च भावयेत् ॥ १५८ ॥
daśāvatāro nṛhariṃ bījaṃ khaṃ śaktiravyayaḥ | ṣaḍdīrghāḍhyena bījena kṛtvāṅgāni ca bhāvayet || 158 ||
നൃഹരിയെ ദശാവതാരസ്വരൂപ ബീജമന്ത്രമായി ധ്യാനിച്ച്, ‘ഖം’നെ അവ്യയ ശക്തിയായി കരുതണം. ആറു ദീർഘസ്വരങ്ങളാൽ സമ്പന്നമായ ബീജംകൊണ്ട് അങ്കന്യാസം ചെയ്ത് ദിവ്യാംഗങ്ങളെ ഭാവിക്കണം॥
Sanatkumara (teaching Narada in a technical/ritual context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It teaches that mantra is not merely recitation—its śakti is activated through nyāsa and bhāvanā (inner visualization), centering devotion on Nṛhari (Narasimha) as the protective divine presence.
Bhakti here is expressed as focused contemplation: the devotee internalizes the deity through limb-visualization (aṅga-bhāvanā) and reverent use of the bīja, turning ritual technique into intimate remembrance of Vishnu’s fierce, saving form.
It points to Śikṣā/phonetics and mantra-vidhi: the deliberate use of vowel-length (dīrgha) and seed-syllables in ritual nyāsa, showing how sound-structure is treated as a functional spiritual technology.