Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
महापाश हदादघटयमाकर्षयद्वयम् । हुं फटे स्वाहा च पाशाय नमः पाशार्चने मनुः ॥ १९७ ॥
mahāpāśa hadādaghaṭayamākarṣayadvayam | huṃ phaṭe svāhā ca pāśāya namaḥ pāśārcane manuḥ || 197 ||
(ജപിക്കണം:) “ഹേ മഹാപാശമേ! പിടിക്ക, വീഴ്ത്തുക, നിർവീര്യമാക്കുക, (ലക്ഷ്യത്തെ) എന്റെ അടുക്കൽ ആകർഷിക്കുക—ഹും ഫട് സ്വാഹാ. പാശത്തിന് നമസ്കാരം।” ഇതാണ് പാശാർചന മന്ത്രം.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: vira
Secondary Rasa: bhayanaka
It preserves a technical mantra-vidhi: the verse identifies a specific formula (manu) for pāśārcana, showing how ritual sound (huṁ, phaṭ, svāhā) is framed as a controlled spiritual instrument rather than mere speech.
Bhakti here is expressed as disciplined worship (arcana): even when a mantra has commanding verbs, it is sealed with “namaḥ” (salutation), indicating submission to divine authority and ritual propriety rather than ego-driven power.
It highlights mantra-prayoga and ritual phonetics: the use of bija syllables (huṁ, phaṭ) and the oblation-ending (svāhā), along with specifying the exact context of application—pāśārcana (worship using/for the noose).