Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
कर्णिकायां ततोऽभ्यर्चयेद्विधिवञ्चांगदेवताः । दलेषु पूजयेत्पश्चाल्लक्ष्म्याद्यावृत्तचामराः ॥ १८१ ॥
karṇikāyāṃ tato'bhyarcayedvidhivañcāṃgadevatāḥ | daleṣu pūjayetpaścāllakṣmyādyāvṛttacāmarāḥ || 181 ||
തുടർന്ന് താമരയുടെ കർണികയിൽ വിധിപൂർവ്വം അംഗദേവതകളെ അർച്ചിക്കണം. പിന്നെ ദളങ്ങളിൽ ലക്ഷ്മി മുതലായ, ചാമരം പിടിച്ച് വീശുന്ന ദേവിമാരെ പൂജിക്കണം.
Narada (teaching in a technical/ritual context, traditionally within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that devotion is strengthened by ordered worship: the central seat (karṇikā) is reserved for the core divinity and His aṅga-devatās, while the petals host attendant powers like Lakṣmī—showing a complete, harmonized vision of the divine retinue.
Bhakti is expressed not only as feeling but as disciplined upāsanā—honoring the Lord along with His limb-deities and attendants, which cultivates reverence, focus, and a sense of divine presence in every part of the ritual maṇḍala.
It reflects Kalpa-style ritual ordering (a Vedāṅga application): spatial placement of deities (center vs. petals) and sequential pūjā (tataḥ/paścāt), a technical method used in mantra-nyāsa and iconographic/maṇḍala worship.