Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
अव्ययो विष्णुवनिता शंभुस्त्री मीनकेतनः । स्मृतिर्मांसेंदुमन्वाढ्या सा पुनश्चंद्रशेखरा ॥ २ ॥
avyayo viṣṇuvanitā śaṃbhustrī mīnaketanaḥ | smṛtirmāṃseṃdumanvāḍhyā sā punaścaṃdraśekharā || 2 ||
അവൻ അവ്യയൻ; വിഷ്ണുവിന്റെ പ്രിയയായവൾ; ശംഭുവിന്റെ പത്നി; മീനധ്വജചിഹ്നിതൻ; പവിത്രസ്മൃതിയുടെ മൂർത്തിസ്വരൂപൻ; ദേഹവും ചന്ദ്രനും അലങ്കരിച്ചവൻ; വീണ്ടും ചന്ദ്രശേഖരൻ।
Sage Narada (within a technical/vedanga-oriented recitation context; dialogue frame traditionally with Sanatkumara lineage)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It strings together potent divine epithets—linking imperishability, remembrance (Smṛti), and iconic forms (moon-crested)—as a contemplative or mantra-like catalogue meant to steady the mind on the deity through names.
Bhakti here is practiced through nāma-smaraṇa: repeating and reflecting on sacred names (such as Viṣṇu-related and Śiva-related epithets) to cultivate constant remembrance and reverence.
It reflects a technical, recitational use of names and compounds—useful for Vyākaraṇa (understanding compound epithets) and Chandas-style memorization—showing how meaning is packed into mantra-like descriptors.