मीढुष्टमायोत्तरमीढुषे नमो नमो गणानां पतये गणाय । नमोस्तु ते जन्मजरातिगाय नमो विशाखाय सुशक्तिपाणये
mīḍhuṣṭamāyottaramīḍhuṣe namo namo gaṇānāṃ pataye gaṇāya | namostu te janmajarātigāya namo viśākhāya suśaktipāṇaye
ນະໂມແດ່ຜູ້ໃຫ້ທານຢ່າງຍິ່ງ ແລະຜູ້ໃຫ້ທານສູງສຸດ; ນະໂມ ນະໂມ ແດ່ຈອມເຈົ້າແຫ່ງຄະນະກະນາ (gaṇa) ຜູ້ເປັນຄະນະເອງ. ນະໂມແດ່ພຣະອົງຜູ້ພົ້ນຈາກການເກີດແລະຄວາມແກ່; ນະໂມແດ່ວິສາຂະ ຜູ້ຖືຫອກສັກຕິອັນເກັ່ງກ້າໃນພຣະຫັດ.
Agastya
Scene: Skanda is hailed as the lord of divine hosts, supremely bountiful, ageless; he stands poised with the mighty spear, surrounded by gaṇas as a luminous commander.
The Lord is both compassionate and victorious, and remembrance of His immortal nature lifts devotees beyond fear of decay.
The Kāśī-khaṇḍa setting frames the hymn; the focus is on Skanda’s cosmic authority rather than a named tirtha.
No explicit ritual; the repeated “namo namo” indicates devotional repetition akin to japa.
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