Narada Purana — Purva Bhaga, Shloka 35
Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
दद्याद्बिभ्रत्कराग्रैरपि दरमुरलीपुष्पबाणेक्षुचापानक्षस्पृक्पूर्णकुंभौ स्मरललितवपुर्दिव्यभूषांगरागः । व्याख्यां वामे वितन्वन् स्फुटरुचिरपदो वेणुना विश्वमात्रे शब्दब्रह्मोद्भवेन श्रियमरुणरुचिर्बल्लवीवल्लभो नः ॥ ३५ ॥
dadyādbibhratkarāgrairapi daramuralīpuṣpabāṇekṣucāpānakṣaspṛkpūrṇakuṃbhau smaralalitavapurdivyabhūṣāṃgarāgaḥ | vyākhyāṃ vāme vitanvan sphuṭarucirapado veṇunā viśvamātre śabdabrahmodbhavena śriyamaruṇarucirballavīvallabho naḥ || 35 ||
ຂໍໃຫ້ພຣະບັນລະວີວັລລະພະ—ຜູ້ເປັນທີ່ຮັກຂອງສາວຄົນເລີ້ຍງງົວ—ຜູ້ສ່ອງສະຫວ່າງດ້ວຍປະກາຍແດງອ່ອນ ປະທານສິຣີແລະຄວາມຈະເລີນແກ່ພວກເຮົາ. ພຣະອົງຖືວີນຸທີ່ສົ່ງສຽງອ່ອນໆດ້ວຍປາຍນິ້ວ, ຖືລູກສອນດອກໄມ້ແລະຄັນທະນູອ້ອຍ (ຂອງກາມະ), ແລະຖືຄຸມພະສອງໃບທີ່ເຕັມລົ້ນຈົນຊິດຕາ. ຮູບກາຍພຣະອົງອ່ອນຊ້ອຍດັ່ງພຣະກາມະ ປະດັບດ້ວຍເຄື່ອງທິບແລະນ້ໍາຫອມ. ດ້ວຍພຣະຫັດຊ້າຍພຣະອົງຂະຫຍາຍຄໍາອະທິບາຍ ແລະດ້ວຍວີນຸທີ່ເກີດຈາກສັບດະ-ພຣະພຣະຫມະ ພຣະອົງສອນແມ່ໂລກດ້ວຍສຽງທີ່ແຈ້ງແລະໄພເພາະ.
Narada (hymnic voice within the Narada Purana’s Vedanga-focused section; framed in the Narada–Sanatkumara dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It meditates on Śrī Kṛṣṇa as the source of auspiciousness (śrī) through Śabda-Brahman—divine sound—showing that spiritual and worldly prosperity arise from attunement to sacred vibration embodied in His flute.
Bhakti here is contemplative worship: visualizing Kṛṣṇa’s beauty and symbols while hearing/remembering His flute as sacred sound, the devotee receives grace (dadyāt) and inner refinement through loving remembrance.
The verse foregrounds Śabda-Brahman and the power of articulated sound, aligning with Vedanga concerns—especially Śikṣā (phonetics) and Vyākaraṇa (structured expression)—by portraying clear, distinct notes (sphuṭa) as spiritually formative.