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Agni Purana — Ayurveda, Shloka 38

Mantra-paribhāṣā

Technical Definitions and Operational Rules of Mantras

नासागण्डौष्ठदन्तानां द्वे द्वे मूर्धस्ययोः क्रमात् वर्णान् पञ्चसुवर्गानां बाहुचरणसन्धिषु

nāsāgaṇḍauṣṭhadantānāṃ dve dve mūrdhasyayoḥ kramāt varṇān pañcasuvargānāṃ bāhucaraṇasandhiṣu

ໃນຫ້າຊັ້ນພະຍັນຊະນະ (ວັກກະ 5) ສຽງຄວນອອກສຽງຕາມລຳດັບ ຄູ່ລະສອງ ທີ່ດັງ, ແກ້ມ, ຮິມປາກ, ແລະ ແຂ້ວ; ແລະດັ່ງດຽວກັນທີ່ເພດານປາກ ແລະ ຄໍ; ຍັງຊີ້ບອກອີກທີ່ຂໍ້ຕໍ່ແຂນ ແລະ ຂາ.

नासा-गण्ड-ओष्ठ-दन्तानाम्of the nose, cheeks, lips, and teeth
नासा-गण्ड-ओष्ठ-दन्तानाम्:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootनासा + गण्ड + ओष्ठ + दन्त (प्रातिपदिक)
Formषष्ठीविभक्ति (Genitive/षष्ठी), बहुवचन (Plural/बहुवचन), (समाहार-द्वन्द्वे समष्ट्यर्थः)
द्वेtwo
द्वे:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootद्वि (संख्याशब्द/प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine/स्त्री), प्रथमा/द्वितीया (Nom/Acc), द्विवचन (Dual/द्विवचन)
द्वेtwo (each)
द्वे:
विशेषण (Adjectival qualifier)
TypeAdjective
Rootद्वि (संख्याशब्द/प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine/स्त्री), प्रथमा/द्वितीया (Nom/Acc), द्विवचन (Dual/द्विवचन)
मूर्धस्ययोःof the two (parts) of the head/crown
मूर्धस्ययोः:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootमूर्धन् (प्रातिपदिक)
Formपुंलिङ्ग (Masculine/पुं), षष्ठीविभक्ति (Genitive/षष्ठी), द्विवचन (Dual/द्विवचन)
क्रमात्in order; sequentially
क्रमात्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formअव्यय (Avyaya) — क्रियाविशेषण (adverbial) अर्थे ‘क्रमेण/अनुक्रमेण’
वर्णान्letters/sounds
वर्णान्:
कर्म (Karma/कर्म)
TypeNoun
Rootवर्ण (प्रातिपदिक)
Formपुंलिङ्ग (Masculine/पुं), द्वितीया-विभक्ति (Accusative/द्वितीया), बहुवचन (Plural/बहुवचन)
पञ्चसु-वर्गानाम्of the five classes (of consonants)
पञ्चसु-वर्गानाम्:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootपञ्च (संख्या/प्रातिपदिक) + वर्ग (प्रातिपदिक)
Formषष्ठीविभक्ति (Genitive/षष्ठी), बहुवचन (Plural/बहुवचन); तत्पुरुषः (षष्ठी-तत्पुरुष) ‘पञ्चसु (वर्गेषु) ये’ इति वर्गाः
बाहु-चरण-सन्धिषुat the joints of the arms and legs
बाहु-चरण-सन्धिषु:
अधिकरण (Adhikaraṇa/अधिकरण)
TypeNoun
Rootबाहु + चरण + सन्धि (प्रातिपदिक)
Formपुंलिङ्ग (Masculine/पुं), सप्तमीविभक्ति (Locative/सप्तमी), बहुवचन (Plural/बहुवचन); तत्पुरुषः (समाहार/निर्देश)

Lord Agni (narrating the encyclopedic teachings of the Agni Purana)

Vidya Category: {"primary_vidya":"Vyakarana","secondary_vidya":"Samanya","practical_application":"Correct varga-ucchāraṇa (place/manner of articulation) for Vedic recitation, mantra-japa, and śikṣā-based pronunciation training.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Varga-vyajana Ucchāraṇa-sthāna (Articulation points of the five consonant classes)","lookup_keywords":["varga","ucchāraṇa-sthāna","nāsa-oṣṭha-danta","mūrdhan-kaṇṭha","śikṣā"],"quick_summary":"Maps consonant-classes to bodily articulation points to standardize pronunciation; useful for śikṣā training and mantra clarity."}

Concept: Śabda as a disciplined science: correct sound-production is a prerequisite for meaning and ritual efficacy.

Application: Use articulation-point awareness to reduce recitation errors (varṇa-viparyaya, aspasta-ucchāraṇa) in study and worship.

Khanda Section: Vyakarana / Shiksha (Sanskrit Phonetics and Articulation)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A teacher of śikṣā points to a diagram of the mouth and throat, indicating nose, lips, teeth, palate, and throat as articulation points for the five vargas; students repeat sounds in sequence.","kerala_mural_prompt":"Kerala temple mural style, guru in white dhoti teaching śikṣā, stylized mouth-throat diagram, labeled nāsa oṣṭha danta mūrdhan kaṇṭha, earthy reds and greens, flat iconic composition","tanjore_prompt":"Tanjore painting, seated guru with palm-leaf manuscript, gold-leaf halo, students chanting, ornate border, small inset showing articulation points of vargas with gold highlights","mysore_prompt":"Mysore painting style, instructional scene with fine linework, clear labeled schematic of articulation points, calm classroom setting, muted palette, emphasis on pedagogy","mughal_miniature_prompt":"Mughal miniature, courtly classroom, detailed faces and textiles, a phonetics chart on a stand showing nose-lip-teeth-palate-throat, students reciting in rows"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: नासागण्डौष्ठदन्तानाम् = नासा + गण्ड + ओष्ठ + दन्तानाम् (समास/द्वन्द्व); पञ्चसुवर्गानाम् = पञ्चसु + वर्गानाम्; बाहुचरणसन्धिषु = बाहु + चरण + सन्धिषु.

Related Themes: Agni Purana 292 (Śikṣā/Vyākaraṇa section: varṇa-vibhāga, sthāna-karaṇa)

V
Varna (phonemes)
P
Pañca-varga (five consonant classes)

FAQs

It teaches Śikṣā/Vyākaraṇa-style phonetics: how the five consonant-classes (pañca-varga) are to be produced from specific articulatory locations (nose, cheeks, lips, teeth, etc.), i.e., a practical guide to correct pronunciation.

Alongside ritual, dharma, and other sciences, the Agni Purana also preserves technical language-knowledge (phonetics and sound-production). This verse exemplifies its inclusion of Sanskrit linguistic science as part of a broad compendium of disciplines.

Correct articulation safeguards the accuracy of mantra-recitation and Vedic/Puranic chanting; traditionally, precise pronunciation is viewed as preserving meaning and efficacy, supporting purity and merit in recitation-based practices.