HomeVaraha PuranaAdhyaya 4Shloka 17
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Varaha Purana 4.17: Adhyaya 4, Shloka 17

On Nārāyaṇa’s Ten Avatāras and Eightfold Manifestations, and the Account of King Aśvaśirā

भवन्तौ संशयं विप्रौ पृच्छामि पुरुषोत्तमौ । कथमाराधयेद् देवं हरिं नारायणं परम् ॥ ४.१७ ॥

Sanskrit recitationVaraha Purana 4.17

bhavantau saṁśayaṁ viprau pṛcchāmi puruṣottamau | katham ārādhayed devaṁ hariṁ nārāyaṇaṁ param || 4.17 ||

ಹೇ ಪುರುಷೋತ್ತಮರಾದ ಶ್ರೇಷ್ಠ ವಿಪ್ರದ್ವಯ! ನಾನು ಒಂದು ಸಂಶಯವನ್ನು ಕೇಳುತ್ತೇನೆ—ಪರಮ ದೇವ ಹರಿ ನಾರಾಯಣನನ್ನು ಸಮ್ಯಕವಾಗಿ ಹೇಗೆ ಆರಾಧಿಸಬೇಕು?

भवन्तौyou two (honored)
भवन्तौ:
Sambodhyā/Āmantraṇa (सम्बोधन/आमन्त्रण)
TypeNoun
Rootभवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), द्विवचन; आदरसूचक सर्वनाम-प्रयोग (honorific pronoun-like)
संशयम्doubt
संशयम्:
Karma (कर्म)
TypeNoun
Rootसंशय (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
विप्रौO two Brahmins
विप्रौ:
Sambodhyā/Āmantraṇa (सम्बोधन/आमन्त्रण)
TypeNoun
Rootविप्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), द्विवचन
पृच्छामिI ask
पृच्छामि:
Kriyā (क्रिया)
TypeVerb
Rootप्रच्छ् (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन; परस्मैपद
पुरुषोत्तमौO two best of men
पुरुषोत्तमौ:
Sambodhyā/Āmantraṇa (सम्बोधन/आमन्त्रण)
TypeNoun
Rootपुरुष-उत्तम (प्रातिपदिक; कर्मधारय)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), द्विवचन; संबोधनार्थे प्रयोग (addressing)
कथम्how
कथम्:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootकथम् (अव्यय)
Formप्रश्नार्थक-अव्यय (interrogative adverb)
आराधयेत्should worship
आराधयेत्:
Kriyā (क्रिया)
TypeVerb
Rootआ-राध् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
देवम्the god
देवम्:
Karma (कर्म)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
हरिम्Hari
हरिम्:
Karma (कर्म)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
नारायणम्Nārāyaṇa
नारायणम्:
Karma (कर्म)
TypeNoun
Rootनारायण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
परम्supreme
परम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootपर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; विशेषण (qualifying नारायणम्)

Pṛthivī (default dialogue framework: Inquirer)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"questioner","bhu_devi_state":"curious (seeking clarity on upāsanā)","key_question":"How should one properly worship Hari—Nārāyaṇa, the Supreme?"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Foreshadows later Vaiṣṇava bhakti/upāsanā currents that culminate in Kṛṣṇa-centered practice, though Kṛṣṇa is not named here."}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"True worship of Nārāyaṇa is approached through brāhmaṇa-satkara, right ritual conduct, and devotion-oriented practice (implied by the inquiry in a dharma setting).","karmic_consequence":"Proper upāsanā leads toward purification and divine grace; neglect/incorrect worship sustains saṃśaya and binds one to limited results."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"upāsanā/bhakti inquiry","core_concept":"The highest object of worship is Hari-Nārāyaṇa (Purushottama); correct method matters and must be learned from the wise.","practical_application":"Approach qualified teachers, articulate doubts clearly, and align worship with both devotion and dharmic discipline."}

Subject Matter: ["Ethics","Philosophical Instruction","Ritual Practice"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: teaching setting (satsaṅga)

Related Themes: Varāha Purāṇa 4.4.13-16 (setup: dhārmika king, yajña completion, sage arrival, respectful inquiry)

Visual Art Cues: {"scene_description":"The inquirer, with folded hands, addresses two eminent yogin-brāhmaṇas, voicing a central doubt: the proper worship of Hari-Nārāyaṇa.","item_prompts":["añjali gesture","two sages attentive","subtle Vishnu symbols nearby (śaṅkha-cakra motif on banner)","quiet court audience","scroll or water-pot indicating teaching"],"kerala_mural_prompt":"Kerala mural: devotional stillness, inquirer in añjali, sages seated, stylized śaṅkha-cakra motifs in backdrop, warm saturated palette.","tanjore_prompt":"Tanjore: gold-leaf arch framing sages, inquirer kneeling, ornate śaṅkha-cakra emblems, rich reds/greens with gilded highlights.","mysore_prompt":"Mysore: balanced composition, refined expressions of humility and gravity, subtle Vishnu iconography, soft shading.","pahari_prompt":"Pahari: gentle devotional mood, minimal interior, delicate gestures, emphasis on the spoken question through attentive gazes."}

Audio Atmosphere: {"recitation_mood":"devotional inquiry","suggested_raga":"Yaman","pace":"slow","voice_tone":"soft, earnest, question-inflected"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies a common Purāṇic pedagogical structure—an inquirer addresses learned figures to clarify a doctrinal or practical question, reflecting the text’s role as a compendium of instruction framed through dialogue.

No geographic location is named in this verse; the focus is on a procedural/theological inquiry regarding the worship of Hari–Nārāyaṇa.

The verse models disciplined inquiry: when uncertainty arises, one should seek clarification from qualified learned authorities to understand correct practice.

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