Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
बिभ्रतीं रत्नमालां च कोटिचंद्रसमप्रभाम् । ध्यात्वा जपेदर्कलक्षं पायसेन दशांशतः ॥ ५३ ॥
bibhratīṃ ratnamālāṃ ca koṭicaṃdrasamaprabhām | dhyātvā japedarkalakṣaṃ pāyasena daśāṃśataḥ || 53 ||
ರತ್ನಮಾಲೆಯನ್ನು ಧರಿಸಿ, ಕೋಟಿ ಚಂದ್ರರ ಸಮಾನ ಪ್ರಭೆಯಿಂದ ಪ್ರಕಾಶಿಸುವ ದೇವಿಯನ್ನು ಧ್ಯಾನಿಸಿ, ಅರ್ಕ-ಮಂತ್ರವನ್ನು ಒಂದು ಲಕ್ಷ ಬಾರಿ ಜಪಿಸಬೇಕು; ನಂತರ ಪಾಯಸದಿಂದ ದಶಾಂಶ ಹೋಮವನ್ನು ನೆರವೇರಿಸಬೇಕು।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links inner contemplation (dhyāna) with disciplined mantra practice (japa) and its ritual sealing (homa), presenting a complete upāsanā method where visualization, repetition, and offering work together.
Bhakti appears here as focused reverence through dhyāna on a luminous divine form and sustained mantra-japa, culminating in an offering that expresses surrender and gratitude through ritual action.
It reflects prayoga-style ritual science: a fixed japa-saṅkhyā (one lakh) and the standard daśāṁśa rule (10% homa relative to japa), plus the use of a specific havis (pāyasa) for oblations.
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