Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
स्वबीजानंगध्रुववाक्कर्णिकं दिग्दलं लिखेत् । तारादिवर्मांतदलं शेषवर्णदलांतरम् ॥ २५ ॥
svabījānaṃgadhruvavākkarṇikaṃ digdalaṃ likhet | tārādivarmāṃtadalaṃ śeṣavarṇadalāṃtaram || 25 ||
ಕರ್ಣಿಕೆಯಲ್ಲಿ (ಮಧ್ಯಭಾಗದಲ್ಲಿ) ತನ್ನ ಬೀಜಾಕ್ಷರದೊಂದಿಗೆ ಅಂಗಮಂತ್ರಗಳು, ಧ್ರುವವಾಕ್ಯ ಮತ್ತು ವಾಕ್ಮಂತ್ರವನ್ನು ಬರೆಯಬೇಕು; ನಂತರ ದಿಕ್ಕುಗಳಿಗೆ ಅನುಗುಣವಾಗಿ ದಳಗಳನ್ನು ಬರೆಯಬೇಕು. ದಳಗಳ ಮೇಲೆ ತಾರಾದಿಯಿಂದ ವರ್ಮಾಂತವರೆಗೆ ಬರೆಯಬೇಕು; ದಳಾಂತರಗಳಲ್ಲಿ ಉಳಿದ ವರ್ಣಗಳನ್ನು ಬರೆಯಬೇಕು.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches the disciplined, rule-based placement of mantras on a lotus-yantra—centering the practice on the bīja and protective formulas so the sādhaka’s worship becomes orderly, guarded (varma), and focused.
Though technical, it supports bhakti by prescribing a precise worship-layout: mantra placement (karṇikā, petals, interspaces) becomes a concrete method to concentrate the mind on the deity through regulated japa, nyāsa, and protection-mantras.
It highlights ritual-technical know-how—mantra-lekhana and nyāsa-style arrangement (aṅga, dhruva, varma) with directional mapping—typical of the Narada Purana’s Vedāṅga/technical-science orientation in Book 1.3.