The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
तारमानारमानंगचास्त्रबीजैर्द्विवर्णकः । त्र्यक्षरो मंत्रराजः स्यात्षड्विधः सकलेष्टदः ॥ ११० ॥
tāramānāramānaṃgacāstrabījairdvivarṇakaḥ | tryakṣaro maṃtrarājaḥ syātṣaḍvidhaḥ sakaleṣṭadaḥ || 110 ||
ತಾರಾ, ಮಾನ, ಅರ, ಮಾನಂಗ, ಚಾಸ್ತ್ರ—ಈ ಬೀಜಾಕ್ಷರಗಳಿಂದ ರೂಪಿತವಾದ ದ್ವಿವರ್ಣಕವು ತ್ರ್ಯಕ್ಷರ ‘ಮಂತ್ರರಾಜ’ವಾಗುತ್ತದೆ; ಅದು ಷಡ್ವಿಧವಾಗಿದ್ದು ಸಮಸ್ತ ಇಷ್ಟಫಲಗಳನ್ನು ನೀಡುತ್ತದೆ।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It frames mantra practice as a precise syllable-science: specific bīja-elements combine to yield a ‘mantra-king’ that is systematically classified and capable of granting desired siddhis when used according to rule.
In the Narada Purana’s technical sections, devotion is supported by correct upāsanā—mantra is presented as a disciplined method that steadies the mind and directs worship toward the chosen deity through authorized syllabic forms.
Śikṣā/phonetics and mantra-śāstra: the verse emphasizes varṇa–akṣara counting (two- vs. three-syllabled), bīja construction, and formal classification (sixfold), which are core to correct ritual recitation and mantra application.