Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
कुंडलां गदकेयूरहारिणं च त्रयीतनुम् । ध्यात्वैवं प्रजपेन्मंत्री वसुलक्षं दशांशतः ॥ २१ ॥
kuṃḍalāṃ gadakeyūrahāriṇaṃ ca trayītanum | dhyātvaivaṃ prajapenmaṃtrī vasulakṣaṃ daśāṃśataḥ || 21 ||
ಕುಂಡಲ, ಗದೆ, ಕೇಯೂರ ಮತ್ತು ಹಾರವನ್ನು ಧರಿಸಿ, ತ್ರಯೀ-ವೇದಮಯ ದೇಹ ಹೊಂದಿರುವ ಪ್ರಭುವನ್ನು ಈ ರೀತಿ ಧ್ಯಾನಿಸಿ, ಮಂತ್ರಸಾಧಕನು ಮಂತ್ರಜಪವನ್ನು ಎಂಟು ಲಕ್ಷ ಬಾರಿ ಮಾಡಿ, ಅದರ ದಶಾಂಶವನ್ನು ಹೋಮರೂಪವಾಗಿ ಅರ್ಪಿಸಬೇಕು।
Sage Sanatkumara (in instruction to Narada, within a ritual-technical discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links dhyāna (visualizing the Veda-embodied Lord with divine ornaments) to disciplined japa, showing that inner contemplation and precise repetition together complete a valid sādhana.
Bhakti here is practiced as loving remembrance: the devotee meditates on Vishnu’s auspicious form and then sustains that devotion through large-scale japa, making worship continuous and focused.
It highlights ritual quantification and completion rules—specific japa-saṅkhyā (vasulakṣa) and the daśāṁśa principle (one-tenth portion) commonly applied for concluding offerings in mantra-sādhanā.