Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
बृंहस्पतिपदं ङेंऽतं सेंद्वाद्यर्णाघमंडितम् । नमोंतो वसुवर्णोऽयं मुनिर्ब्रह्मास्य संमतः ॥ १२८ ॥
bṛṃhaspatipadaṃ ṅeṃ'taṃ seṃdvādyarṇāghamaṃḍitam | namoṃto vasuvarṇo'yaṃ munirbrahmāsya saṃmataḥ || 128 ||
ಬ್ರಹ್ಮನಿಂದ ಸಂಮತಗೊಂಡ ಈ ಮುನಿ ಸ್ವರ್ಣಪ್ರಭೆಯಿಂದ ದೀಪ್ತನಾಗಿದ್ದಾನೆ. ಅವನ ನಾಮ ‘ಬೃಹಸ್ಪತಿ’ ಪದದಿಂದ ನಿರ್ಮಿತವಾಗಿ, ಅಂತ್ಯದಲ್ಲಿ ‘ಙೇಂ’ ಅಕ್ಷರ, ಆರಂಭದಲ್ಲಿ ‘ಸೇಂ’ ‘ದ್ವಾ’ ಮೊದಲಾದ ವರ್ಣಗಳಿಂದ ಅಲಂಕೃತವಾಗಿ, ಕೊನೆಯಲ್ಲಿ ‘ನಮೋಂ’ ಎಂದು ಸಮಾಪ್ತವಾಗುತ್ತದೆ।
Narada (teaching in a Vedanga/technical register; dialogue frame traditionally with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that sacred identity and authority (a rishi’s recognized status) are linked with mantra-sound structure and Brahmā’s sanction, highlighting the Purāṇa’s Vedāṅga-oriented reverence for śabda (sacred sound).
Indirectly: it shows that bhakti-practice in Purāṇic tradition often rests on precise mantra and name-forms; correct utterance and sanctioned formulae support devotional recitation and worship.
Śikṣā/Vyākaraṇa-style attention to syllables and endings—how names/mantras are built from specific akṣaras (phonemes) and how such formations are treated as meaningful and authoritative.