Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya
चतुःशतं समारभ्य सहस्रार्णावधि द्विज । अतिवृद्धाः प्रयोगेषु शिथिलास्ते समीरिताः ॥ ५७ ॥
catuḥśataṃ samārabhya sahasrārṇāvadhi dvija | ativṛddhāḥ prayogeṣu śithilāste samīritāḥ || 57 ||
ಓ ದ್ವಿಜನೇ! ನಾಲ್ಕುನೂರಿನಿಂದ ಸಾವಿರ ವರ್ಣಗಳವರೆಗೆ ಇರುವ ಮಂತ್ರಗಳು ಅತಿದೀರ್ಘವೆಂದು ಹೇಳಲ್ಪಟ್ಟಿವೆ; ಪ್ರಯೋಗಕರ್ಮದಲ್ಲಿ ಅವು ಶಿಥಿಲವಾಗಿ ಬಹುಮಟ್ಟಿಗೆ ನಿಷ್ಫಲವಾಗುತ್ತವೆ.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined, well-measured sacred recitation: overly expanded formulations can lose practical force, so dharmic practice should be precise rather than merely lengthy.
By implying that devotion is strengthened by focused, correctly applied worship; bloated or careless performance can dilute attention and steadiness, which are essential for bhakti-based practice.
It reflects Prayoga-oriented discipline tied to Vedanga concerns—especially Shiksha (phonetics/syllable measure) and Kalpa (ritual procedure)—stressing appropriate length and usable liturgical form.