आदिमध्यावसानेषु हंसः प्रासादवाग्भवौ । हंसेंदुर्वा सकारो वा फकारो वर्म वा पुन ॥ २७ ॥
ādimadhyāvasāneṣu haṃsaḥ prāsādavāgbhavau | haṃseṃdurvā sakāro vā phakāro varma vā puna || 27 ||
ಆದಿಯಲ್ಲಿ, ಮಧ್ಯದಲ್ಲಿ ಮತ್ತು ಅಂತ್ಯದಲ್ಲಿ ‘ಹಂಸ’ ಬೀಜವನ್ನು ವಿನ್ಯಾಸ ಮಾಡಬಹುದು. ಅಥವಾ ‘ಪ್ರಾಸಾದ’ ಮತ್ತು ‘ವಾಗ್ಭವ’ವನ್ನು ಪ್ರಯೋಗಿಸಬಹುದು; ಇಲ್ಲವೇ ‘ಹಂಸೇಂದು’, ಅಥವಾ ‘ಸ’ ಅಕ್ಷರ, ಅಥವಾ ‘ಫ’ ಅಕ್ಷರ, ಮತ್ತೆ ‘ವರ್ಮ’ ಎಂಬ ರಕ್ಷಣಾ ಬೀಜವನ್ನು ಬಳಸಬಹುದು.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches the regulated placement of specific bīja-syllables (like haṃsa, vāgbhava, varma) within a mantra, emphasizing that spiritual efficacy depends on precise sound-structure and protective/clarifying mantra components.
In the Narada Purana’s technical sections, devotion is supported by disciplined mantra-practice: correct bīja usage is presented as a means to steady the mind and invoke divine grace, making bhakti more focused and effective.
Śikṣā (phonetics) and mantra-vidhi are implied—how syllables are inserted in specific positions (beginning/middle/end) and how protective bīja-s like “varma” are used as ritual-technical safeguards.