Adhyaya 4: अहोरात्र-युग-मन्वन्तर-कल्पमान तथा प्रलयान्ते सृष्ट्युपक्रमः
मर्त्यस्य चाक्ष्णोस्तस्याश् च ततस् त्रिंशतिका कला कलात्रिंशतिको विप्रा मुहूर्त इति कल्पितः
martyasya cākṣṇostasyāś ca tatas triṃśatikā kalā kalātriṃśatiko viprā muhūrta iti kalpitaḥ
ಮರ್ತ್ಯನ ಕಣ್ಣಿನ ಮುಚ್ಚಿ-ತೆರೆಯುವ ಕಾಲವನ್ನು ಮೂಲಮಾನವಾಗಿ ಗ್ರಹಿಸುತ್ತಾರೆ; ಅದರಿಂದ ‘ಕಲಾ’ ನಿರ್ಧಾರವಾಗುತ್ತದೆ। ಓ ವಿಪ್ರರೆ, ಮுப்பತ್ತು ಕಲೆಗಳು ಒಂದು ಮುಹೂರ್ತ ಎಂದು ಕಲ್ಪಿಸಲಾಗಿದೆ।
Suta Goswami
It establishes a practical unit for sacred timing—muhūrta—used to align Linga-pūjā, abhiṣeka, japa, and vrata with auspicious, disciplined cycles of time.
By measuring time from the smallest human experience and scaling upward, it implies that all kalā (time-units) are ordered within cosmic law—ultimately governed by Pati (Śiva), the Lord who regulates creation’s rhythm while remaining beyond time.
Ritual scheduling by muhūrta is highlighted; yogically, it supports Pāśupata discipline by training the pashu (individual soul) to regulate breath, attention, and practice within measured intervals.