सीवन्यश्च तथा सप्त पंच मूर्धानमास्थिताः । एका मेढ्रं गता चैका तथा जिह्वां गता द्विज
sīvanyaśca tathā sapta paṃca mūrdhānamāsthitāḥ | ekā meḍhraṃ gatā caikā tathā jihvāṃ gatā dvija
មានស៊ីវន្យា (ស្នាមដេរ/ស្នាមភ្ជាប់) ចំនួនប្រាំពីរ; ក្នុងនោះ ប្រាំស្ថិតនៅលើក្បាល។ មួយទៅកាន់លិង្គ ហើយមួយទៀតទៅកាន់អណ្តាត ឱ ទ្វិជៈ។
Lomaharṣaṇa (Sūta) to the sages (deduced from Māheśvarakhaṇḍa context)
Listener: Dvija/ṛṣi interlocutor (as addressed: 'dvija')
Scene: A yogin seated in padmāsana; a subtle luminous diagram overlays the body: five cranial sutures highlighted, with two channels extending toward tongue and generative organ; sages listen as a teacher points with a staff.
By mapping subtle bodily structures, it supports the Purāṇic view that self-mastery includes understanding the body’s pathways and guarding sense-organs.
No site is mentioned; the teaching is anatomical.
None; it is descriptive.