Skanda Purana — Mahesvara Khanda, Shloka 11
तमहं प्रांजलिर्भूत्वा नमस्कृत्य रविं प्रभुम् । सामभिर्विविधैर्देवं पर्यतोषयमीश्वरम्
tamahaṃ prāṃjalirbhūtvā namaskṛtya raviṃ prabhum | sāmabhirvividhairdevaṃ paryatoṣayamīśvaram
ឃើញទ្រង់ហើយ ខ្ញុំបានឈរដោយដៃប្រណម្យ; ក្រាបថ្វាយបង្គំព្រះរាវិជាព្រះអម្ចាស់ ហើយបានបំពេញព្រះអេស្វរៈនោះ ដោយបទចម្រៀងសាមន៍ជាច្រើនប្រភេទ។
Sūta (Lomaharṣaṇa) narrating a devotee’s account (deduced)
Scene: The seer stands with folded hands before the radiant solar lord, offering melodic Sāman chants; the air vibrates with visible sound-waves or floral offerings made of light.
FAQs
After divine darśana, humility and Vedic praise are upheld as the proper dharmic response to the deity’s presence.
No specific tīrtha is mentioned; the verse focuses on the act of worship (stuti) after Sūrya’s manifestation.
Namaskāra (salutation with folded hands) and praising Sūrya with various Sāman chants (Sāmavedic hymns).