तापनेःसुतपो वह्निज्वालाप्रज्वलितैनसः । संवीक्ष्य त्र्यक्ष साक्षात्त्वां कृतकृत्या बभूविम
tāpaneḥsutapo vahnijvālāprajvalitainasaḥ | saṃvīkṣya tryakṣa sākṣāttvāṃ kṛtakṛtyā babhūvima
ត្រូវបានដុតឆេះដោយបាបដែលភ្លើងរលត់ដូចអណ្តាតភ្លើង យើងបានអនុវត្តតបៈយ៉ាងតឹងរឹង; ឱ ព្រះត្រីអក្សៈ ពេលបានឃើញព្រះអង្គដោយផ្ទាល់ យើងក្លាយជាអ្នកបានសម្រេច—កិច្ចដែលគួរធ្វើបានបញ្ចប់។
Pilgrims/supplicants (addressing Śiva in Kāśī; contextually within Skanda’s narration to Agastya)
Tirtha: Kāśī (Śiva-sākṣāt-darśana context)
Type: kshetra
Scene: Devotees appear singed by metaphorical flames—dark smoke-like aura of sin dissipating—while Śiva, three-eyed, manifests in luminous form; the fire imagery transforms into a cool, clear radiance as they become ‘kṛtakṛtya’.
When sin is purified through tapas and grace, direct vision of Śiva grants completion—spiritual life reaches its intended goal.
Within Kāśī-māhātmya, the stress is on Śiva’s immediate accessibility in Kāśī through darśana (implicitly linked with Dharmēśvara in the preceding verse).
Tapas (austerity) is referenced as a purifying discipline leading to Śiva-darśana.