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Valmiki Ramayana 2.114.2: Ayodhya Kanda, Sarga 114, Shloka 2

अयोध्याप्रवेशः

Bharata Enters Ayodhya and Perceives the City’s Desolation

बिडालोलूकचरितामालीननरवारणाम्। तिमिराभ्याहतां कालीमप्रकाशां निशामिव।।2.114.2।।

Sanskrit recitationValmiki Ramayana 2.114.2

biḍālōlūkacaritām ālīnanaravāraṇām | timirābhyāhatāṃ kālīm aprakāśāṃ niśām iva || 2.114.2 ||

ទិដ្ឋភាពនោះដូចជារាត្រីខ្លួនវា—ខ្មៅងងឹតឥតពន្លឺ ត្រូវភាពងងឹតគ្របសង្កត់—មានតែឆ្មា និងសត្វបក្សីអូលូកដើរលេង ខណៈមនុស្ស សូម្បីតែដំរី ក៏មិនឃើញឡើយ។

बिडाल-उलूक-चरिताम्frequented by cats and owls
बिडाल-उलूक-चरिताम्:
Karma-anvayi Visheshana (कर्म-विशेषण)
TypeAdjective
Rootबिडाल (प्रातिपदिक) + उलूक (प्रातिपदिक) + चरित (कृदन्त/प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; समासः (बहु-तत्पुरुष-प्रायः) ‘बिडालैः उलूकैश्च चरिता’—frequented by cats and owls; qualifies implied ‘अयोध्याम्/पुरीम्’
आलीन-नर-वारणाम्with people and elephants out of sight
आलीन-नर-वारणाम्:
Karma-anvayi Visheshana (कर्म-विशेषण)
TypeAdjective
Rootआलीन (कृदन्त/प्रातिपदिक) + नर (प्रातिपदिक) + वारण (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; समासः—‘आलीनाः (अदृश्य/निलीनाः) नराश्च वारणाश्च यस्याम्’ (sense: people and elephants not seen)
तिमिर-अभ्याहताम्enveloped by darkness
तिमिर-अभ्याहताम्:
Karma-anvayi Visheshana (कर्म-विशेषण)
TypeAdjective
Rootतिमिर (प्रातिपदिक) + अभ्याहत (कृदन्त/प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; ‘तिमिरेण अभ्याहता’—struck/overwhelmed by darkness
कालीम्black
कालीम्:
Karma-anvayi Visheshana (कर्म-विशेषण)
TypeAdjective
Rootकाली (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन
अप्रकाशाम्without light
अप्रकाशाम्:
Karma-anvayi Visheshana (कर्म-विशेषण)
TypeAdjective
Rootअ-प्रकाश (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; नञ्-तत्पुरुष/negated adjective
निशाम्night
निशाम्:
Upamana (उपमान)
TypeNoun
Rootनिशा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन
इवlike
इव:
Upama-dyotaka (उपमा-द्योतक)
TypeIndeclinable
Rootइव (अव्यय)
Formअव्यय; उपमा-सूचक (particle of comparison)
A
Ayodhyā

FAQs

The verse indirectly highlights the social dimension of dharma: when righteous order is disturbed (through the unjust exile of Rama), the city’s harmony and safety diminish, symbolized by darkness and nocturnal creatures.

Bharata is approaching/observing Ayodhya after Rama’s exile; the narrator describes the city’s eerie, deserted atmosphere.

Bharata’s sensitivity and moral alarm are implied: he recognizes that a visible change in the city reflects an underlying ethical crisis.

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