Shloka 62
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
कुंजल उवाच । परं ज्ञानं प्रवक्ष्यामि यन्न दृष्टं तु केनचित् । श्रूयतां पुत्र कैवल्यं केवलं मलवर्जितम्
kuṃjala uvāca | paraṃ jñānaṃ pravakṣyāmi yanna dṛṣṭaṃ tu kenacit | śrūyatāṃ putra kaivalyaṃ kevalaṃ malavarjitam
កុញ្ជលៈ បានពោលថា៖ «ខ្ញុំនឹងប្រកាសជ្ញានដ៏អធិឧត្តម ដែលមិនមានអ្នកណាម្នាក់បានឃើញ។ ស្តាប់ចុះ កូនអើយ—នោះគឺ “កៃវល្យ” ភាពឯកតាដ៏បរិសុទ្ធ សព្វស្រុងគ្មានមលិន»។
Kuṃjala
Concept: Para-jñāna culminates in kaivalya—absolute purity and aloneness, free from mala (impurity) and dependence.
Application: Practice viveka: reduce mental ‘impurities’ (mala) through truthfulness, regulated senses, and daily nāma-japa; treat solitude not as isolation but as freedom from compulsive craving and comparison.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Kuṃjala raises his hand in a teaching gesture, the air around him calm as if even the forest wind pauses. Behind him, a faint symbolic lotus opens in the mind-sky, hinting at ‘unseen’ knowledge becoming visible through purity.","primary_figures":["Kuṃjala","Ujjvala"],"setting":"hermitage veranda opening to a silent forest; symbolic inner-sky backdrop with a subtle lotus aura","lighting_mood":"divine radiance","color_palette":["pearl white","sage green","smoky blue","soft gold","ash gray"],"tanjore_prompt":"Tanjore painting style: Kuṃjala as serene guru with gold leaf halo, right hand in jñāna-mudrā, Ujjvala seated attentively, a stylized lotus aura behind the guru indicating ‘unseen’ wisdom, rich maroon drapery accents, ornate gold borders with conch and discus motifs subtly integrated.","pahari_prompt":"Pahari miniature style: quiet teaching moment on an āśrama porch, translucent washes, cool blues and greens, delicate lotus cloud behind Kuṃjala, refined facial expressions conveying solemn revelation, distant river-like mist in the valley though no river is named.","kerala_mural_prompt":"Kerala mural style: strong outlines, Kuṃjala’s calm face and large eyes, lotus aura rendered in flat pigments, Ujjvala in humble posture, warm ochre background with green foliage bands, temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: central guru figure framed by lotus vines and floral borders, a large stylized lotus mandala behind him, deep indigo field with gold highlights, small repeating tulasī-leaf motifs in the border to foreshadow Padma’s Tulasi emphasis."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["silence","soft drone (tanpura)","distant birds","single bell strike"]}
Sandhi Resolution Notes: यन्न → यत् + न; केनचित् = किम् + चित्; मलवर्जितम् = मल + वर्जितम् (षष्ठी-तत्पुरुष).
FAQs
Here “kaivalya” denotes liberation as pure, exclusive freedom—an unconditioned state described as “kevala” (pure) and “malavarjita” (free from all taint).
It emphasizes the rarity and subtlety of the realization: supreme knowledge is not merely heard or theorized, but directly realized, and few attain that vision.
It implies that liberation requires inner purification—removing “mala” (impurities such as ignorance, attachment, and moral defilement)—and attentive receptivity to instruction (“śrūyatām”).