The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
पादुकादिकसिद्धीशा तथा विजयदायिनी । कामरूपप्रदा वेतालरूपा च पिशाचिका ॥ ११२ ॥
pādukādikasiddhīśā tathā vijayadāyinī | kāmarūpapradā vetālarūpā ca piśācikā || 112 ||
នាងជាអធិបតីនៃសិទ្ធិដែលពាក់ព័ន្ធនឹងបាទុកា (ស្បែកជើងបូជា) និងវត្ថុតាលិស្មង់ដូចៗ; នាងប្រទានជ័យជម្នះ។ នាងប្រទានសមត្ថភាពបម្លែងរូបតាមចិត្តប្រាថ្នា ហើយនាងបង្ហាញខ្លួនជាវេតាលា និងជាពិសាចិកា ផងដែរ។
Sanatkumara (in dialogue instruction to Narada within the technical-sciences section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It catalogues specific siddhi-forms and their perceived results (victory, kāmarūpa), showing how the text classifies occult attainments as part of technical/ritual knowledge rather than as the ultimate spiritual goal.
Indirectly: by naming alluring powers (victory, shape-shifting, spirit-forms), it highlights distractions that can arise in practice—implying that a bhakta should prioritize devotion to the Divine over fascination with siddhis.
It reflects the text’s technical strand—ritual-mantric classifications of results and “presiding powers” of siddhis—aligned with applied disciplines (prayoga/ritual procedure) that accompany Vedanga-style practical learning.