The Description of the Four Durgā Mantras
द्रामाद्यां द्राविणीं मूर्ध्निं द्रामाद्यां क्षोभणी पदे । क्लींवशीकरणीं वक्त्रे गुह्ये ब्लृं बीजपूर्विकाम् ॥ ५३ ॥
drāmādyāṃ drāviṇīṃ mūrdhniṃ drāmādyāṃ kṣobhaṇī pade | klīṃvaśīkaraṇīṃ vaktre guhye blṛṃ bījapūrvikām || 53 ||
គេគួរធ្វើន្យាស ដាក់ព្យាង្គ «ដ្រាម» ដ៏ហៅថា ដ្រាវិណី (Drāviṇī) អ្នកប្រទានសម្បត្តិ លើក្បាល; ដាក់ព្យាង្គ «ដ្រាម» ដ៏ហៅថា ក្សោភណី (Kṣobhaṇī) អ្នករំញោច លើជើង; ដាក់ «ក្លីំ» ដែលបង្កវសីករណ (vaśīkaraṇa) លើមាត់; ហើយលើទីសម្ងាត់ ដាក់ព្យាង្គដែលចាប់ផ្តើមដោយប៊ីជ «ប្ល្រឹំ»។
Sanatkumara (in instruction to Narada on technical mantra-nyasa practice)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a precise nyāsa (ritual placement) of specific bīja-syllables on the body, presenting the body as a sacred support for mantra-shakti—prosperity (drāviṇī), activation (kṣobhaṇī), attraction (klīṃ), and a guarded inner potency (blṛṃ).
While primarily technical, it supports bhakti-oriented worship by prescribing a disciplined preparatory rite (nyāsa) that steadies speech, mind, and body for focused japa and pūjā, making devotion more concentrated and ritually correct.
It highlights applied mantra-vidyā within the technical disciplines—how specific seed syllables are assigned to bodily loci (a procedural ritual science), emphasizing correct phonetic form and placement as part of effective practice.