The Description of the Four Durgā Mantras
भुक्त्यै मुक्त्यै सितां ध्यायेदुच्चाटे नीलरोचिषम् । रक्तां वश्ये मृतौ धूम्रां स्तंभने कनकप्रभाम् ॥ ३० ॥
bhuktyai muktyai sitāṃ dhyāyeduccāṭe nīlarociṣam | raktāṃ vaśye mṛtau dhūmrāṃ staṃbhane kanakaprabhām || 30 ||
សម្រាប់ភោគសម្បត្តិ និងសម្រាប់មោក្សៈ គួរសមាធិលើទេវតាជារូបពណ៌ស។ សម្រាប់ពិធីឧច្ចាត (បណ្តេញចេញ) គួរគិតរូបពណ៌ខៀវភ្លឺ; សម្រាប់វស្យ (បង្ក្រាបឲ្យស្តាប់បង្គាប់) រូបពណ៌ក្រហម; ក្នុងកិច្ចការមរណៈ រូបពណ៌ផ្សែង; និងសម្រាប់ស្តម្ភន រូបពណ៌មាសភ្លឺ។
Sanatkumara (in instruction to Narada, within a technical/ritual-vidhi context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches that dhyāna (meditative visualization) is applied with precise attributes—especially color and radiance—according to the intended karma (aim), distinguishing between higher goals like mukti and pragmatic ritual aims.
While framed as a technical instruction, it underscores focused contemplation on a chosen divine form (dhyāna) as a disciplined practice; the verse contrasts worldly aims (bhukti) with the highest aim (mukti), reminding the practitioner to orient devotion toward liberation.
It reflects applied ritual-vidhi—how mantra and dhyāna are matched to specific rites (uccāṭa, vaśya, stambhana)—a technical strand aligned with auxiliary disciplines used in correct performance of Vedic/Paurāṇic rituals.