The Description of the Four Durgā Mantras
दीपकाप्रीतिचन्द्राढ्या द्विधा चेद्रञ्जितापुनः । वतिवह्निप्रियामंत्रो धूमावत्या गजाक्षरः ॥ १५५ ॥
dīpakāprīticandrāḍhyā dvidhā cedrañjitāpunaḥ | vativahnipriyāmaṃtro dhūmāvatyā gajākṣaraḥ || 155 ||
«មន្ត្រដែលពោរពេញដោយពាក្យ ‘ទីបក’ (ចង្កៀង), ‘ព្រីតិ’ (សេចក្តីស្រឡាញ់), និង ‘ចន្ទ្រ’ (ព្រះច័ន្ទ) បើបំបែកជាពីរ ហើយបន្ទាប់មកទៀត ‘រ៉ញ្ជិត’ (លាបពណ៌/បន្សំពណ៌) ម្តងទៀត—ដូច្នេះបានមន្ត្រដែលជាទីពេញចិត្តរបស់ វតិ និងភ្លើង; ហើយរួមជាមួយ ធូមាវតី វាបង្កើត ‘អក្សរដំរី’»។
Sanatkumara (teaching Narada in a technical Vedanga/mantra-vidya section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It presents mantra-vidyā as a disciplined, rule-based science where specific named elements and syllables (akṣaras) are combined to produce a targeted mantra, emphasizing precision in sacred speech.
Indirectly: by treating mantra as a valid support for worship, it frames devotion as strengthened through correct recitation and correct mantra-form, which purifies attention and steadies the mind in sādhana.
Akṣara-based construction and splitting/combining of terms (a vyākaraṇa-like method) used for mantra formation—showing a technical approach to phonetics and linguistic derivation applied to ritual practice.