दधतीं मुद्गरं पाशं वज्रं च रसनां करैः । एवं ध्यात्वाजपेल्लक्षमयुतं चंपकोद्भवैः ॥ ८८ ॥
dadhatīṃ mudgaraṃ pāśaṃ vajraṃ ca rasanāṃ karaiḥ | evaṃ dhyātvājapellakṣamayutaṃ caṃpakodbhavaiḥ || 88 ||
ដោយសមាធិគិតដល់ (ទេវី) ដែលកាន់មុទ្គរ (ញញួរ), បាស (ខ្សែចង), វជ្រ (ផ្គរលាន់), និង រសនា (អណ្ដាត) ក្នុងដៃទាំងឡាយ; បន្ទាប់មកគួរធ្វើជបៈ មួយសែន និង មួយម៉ឺន ដោយប្រើផ្កាចម្បក។
Sanatkumara (teaching Narada the ritual/vidhi)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links inner visualization (dhyāna) with disciplined repetition (japa), showing that mantra-siddhi is supported by a defined iconography and a precise ritual count.
Bhakti here is expressed as focused remembrance—meditating on the deity’s form and then offering devoted repetition and floral worship, making devotion concrete through ritual attention.
It highlights kalpa-style ritual precision: prescribed dhyāna-lakṣaṇa (iconographic details), japa-saṅkhyā (specific counts), and dravya-niyama (using campaka flowers).