The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कुब्जारूपप्रदो विज्ञो मुकुंदो विष्टरश्रवाः । सर्वज्ञो मथुरालोकी सर्वलोकाभिनंदनः ॥ ८३ ॥
kubjārūpaprado vijño mukuṃdo viṣṭaraśravāḥ | sarvajño mathurālokī sarvalokābhinaṃdanaḥ || 83 ||
ព្រះអង្គប្រទានរូបរាងត្រង់ស្អាតដល់គុបជា; ព្រះអង្គជាព្រះបញ្ញាវិសាលដឹងគ្រប់យ៉ាង; មុកុន្ទៈ អ្នកប្រទានមោក្សៈ; ព្រះកិត្តិយសរីកធំឆ្ងាយ; ព្រះអង្គជាព្រះដឹងទាំងអស់; ព្រះអម្ចាស់ដែលស្នាក់នៅមធុរា; និងព្រះអង្គដែលពិភពទាំងអស់សរសើរ និងរីករាយចំពោះ។
Narada (in dialogue framework with Sanatkumara tradition; verse functions as an epithet-list praising Vishnu/Krishna)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It concentrates devotion through a compact series of divine epithets: remembering the Lord as liberator (Mukunda), omniscient, universally praised, and present in sacred Mathurā—showing that sincere remembrance purifies and uplifts.
Bhakti is expressed as nāma-smaraṇa: contemplating the Lord’s qualities and līlā references (like Kubjā’s transformation) strengthens faith that divine grace can transform the devotee and culminate in mokṣa.
While not a technical sutra, it reflects the applied use of chandas and nāma-stotra recitation—supporting disciplined chanting (śikṣā/pronunciation and chandas/metrical flow) as a practical devotional method.