The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
नाम्नां सहस्रं तच्चापि प्रोक्तवां स्तच्छृणुष्व मे । ध्यात्वा वृंदावने रम्ये यमुनातीरसंगतम् ॥ ३५ ॥
nāmnāṃ sahasraṃ taccāpi proktavāṃ stacchṛṇuṣva me | dhyātvā vṛṃdāvane ramye yamunātīrasaṃgatam || 35 ||
ខ្ញុំក៏បានប្រកាស «សហស្រនាម» ព្រះនាមពាន់ប្រការ នោះដែរ—ឥឡូវ សូមស្តាប់ពីខ្ញុំ។ ជាមុន សូមសមាធិលើព្រះអម្ចាស់ ដែលស្ថិតនៅវೃន្ទាវនដ៏រម្យ ជាប់នឹងច្រាំងទន្លេយមុនា។
Sanatkumāra (teaching Nārada in dialogue)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It sets the correct inner method for sacred-name practice: before reciting the thousand Names, one should establish dhyāna on the Lord in a holy setting (Vṛndāvana by the Yamunā), making the chant devotional rather than merely verbal.
Bhakti is shown as a union of remembrance and recitation—first meditate on the Lord’s līlā-abode (Vṛndāvana/Yamunā), then hear/chant the Names, so the heart is anchored in loving contemplation while repeating the divine epithets.
It highlights mantra-prayoga discipline: śravaṇa (attentive hearing/receiving) and dhyāna (visualization/meditation) as preparatory steps for stotra recitation—an applied, technical approach to sacred speech and its proper use.