The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
श्वेतानिलाग्न्यंबुभूमिवर्णैः प्राग्वत्प्रविन्यसेत् । स्वबीजाद्यं कोपतत्वं नृसिंहं व्यापकेन च ॥ २० ॥
śvetānilāgnyaṃbubhūmivarṇaiḥ prāgvatpravinyaset | svabījādyaṃ kopatatvaṃ nṛsiṃhaṃ vyāpakena ca || 20 ||
ដូចមុន គួរធ្វើការដាក់ (ន្យាសៈ) ដោយប្រើអក្សរដែលពាក់ព័ន្ធនឹងពណ៌—ស, ខ្យល់, ភ្លើង, ទឹក និងដី—តាមលំដាប់ដដែល។ បន្ទាប់មក ចាប់ពីព្យញ្ជនៈគ្រាប់ពូជ (ប៊ីជៈ) របស់ខ្លួន គួរដាក់ ព្រះនೃសിംហៈ ក្នុងតត្តវៈនៃព្រះកំហឹង (កោប-តត្តវៈ) រួមជាមួយទម្រង់ពេញពាស (វ្យាបកៈ)។
Sanatkumara (teaching Narada the technical procedure)
Vrata: none
Primary Rasa: vira
Secondary Rasa: bhakti
It teaches a protective, transformative practice: invoking Nṛsiṃha not only as a deity but as an inner, all-pervading power (vyāpaka) through disciplined nyāsa, aligning the practitioner with elemental and sonic order.
Bhakti here is expressed as embodied devotion—placing the Lord (Nṛsiṃha) through mantra and nyāsa so that remembrance becomes continuous and protective, especially through His kopa-tattva that removes obstacles and fear.
It reflects mantra-śāstra technique tied to varṇa (phoneme) application and ritual sequencing (prāgvat), showing the practical side of Vedic sound-science used in worship and protective rites.