Narada Purana — Purva Bhaga, Shloka 110
जलक्रीडैवमभवदथ चर्षिगणांतरे । जलक्रीडासंभ्रमेण विस्रस्तजटबंधनाः ॥ ११० ॥
jalakrīḍaivamabhavadatha carṣigaṇāṃtare | jalakrīḍāsaṃbhrameṇa visrastajaṭabaṃdhanāḥ || 110 ||
ដូច្នេះ ក្នុងមជ្ឈមណ្ឌលនៃព្រះឥសីទាំងឡាយ ក៏កើតមានការលេងទឹក; ហើយដោយសារការរំភើបនៃការលេងទឹកនោះ ខ្សែចងជតា (សក់ជាប់ជាខ្សែ) របស់ពួកគេបានរលុងចេញ។
Narrator (Suta-style puranic narration; dialogue context traditionally linked with Narada’s transmission)
Vrata: none
Primary Rasa: hasya
Secondary Rasa: adbhuta
FAQs
It portrays how even austere sages, within a sacred setting, can be swept into lively activity—highlighting the Purana’s realistic depiction of human (and ascetic) nature and the need for steadiness (saṃyama) amid distraction.
Indirectly, it contrasts momentary excitement with inner composure—implying that bhakti and remembrance of the Divine should remain steady even when the mind is stirred by play, social energy, or sensory movement.
No Vedanga rule is taught directly, but the verse uses precise Sanskrit compounds and narrative description—useful for Vyākaraṇa-style reading (compound analysis like ṛṣigaṇāntare, jalakrīḍāsaṃbhrameṇa) within the Third Pada’s technical-literary milieu.