The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
दशांशं कमलैर्हुत्वा धनैर्धनपतिर्भवेत् । तारो माया रमाद्वंद्वं दाशरथाय हृञ्च वै ॥ ९८ ॥
daśāṃśaṃ kamalairhutvā dhanairdhanapatirbhavet | tāro māyā ramādvaṃdvaṃ dāśarathāya hṛñca vai || 98 ||
ដោយថ្វាយភាគដប់មួយជាហោមដោយផ្កាឈូក—ហើយដូចគ្នានេះដោយទ្រព្យ—មនុស្សនោះក្លាយជាម្ចាស់ទ្រព្យ។ លំដាប់ព្យញ្ជនៈមន្ត្រ “តារា”, “មាយា”, និងគូ “រាមា” ត្រូវប្រើសម្រាប់ទាសរថី (ព្រះរាម) រួមជាមួយ “ហ្រឹញ”។
Narada (teaching within a Vedanga/ritual-technical context, traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: artha (worldly prosperity tone)
It links prosperity (artha) to disciplined offering—giving a tenth portion and performing oblations—while grounding the act in mantra-oriented devotion directed to Rāma (Dāśarathi).
Bhakti is expressed through concrete upāsanā: offerings (kamala-homa and dhana-dāna) combined with Rāma-centered mantra practice, showing devotion as both inner remembrance and outer ritual service.
A technical (prayoga) emphasis on mantra-bīja application and ritual proportionality (daśāṁśa/tithe), reflecting Vedanga-style procedural guidance used in worship and homa practices.