The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
दशांशः कमलैर्होमो यजनं च षडर्णवत् । रामो ङेंन्तो धनुष्पाणिर्ङैतोंऽते वह्निसुंदरी ॥ ७२ ॥
daśāṃśaḥ kamalairhomo yajanaṃ ca ṣaḍarṇavat | rāmo ṅeṃnto dhanuṣpāṇirṅaitoṃ'te vahnisuṃdarī || 72 ||
គួរបូជាភាគដប់មួយ (ទសांश) ហើយធ្វើហោមដោយផ្កាឈូក; ការយជ្ញក៏អនុវត្តតាមទម្រង់មន្ត្រា៦អក្សរ។ «រាម» ត្រូវបញ្ចេញសំឡេងដោយចាប់ផ្តើមនាសិក «ង»; «ធនុស្បាណិ» (អ្នកកាន់ធ្នូ) ក៏បញ្ចេញដូច្នោះ; ហើយនៅចុងក្រោយ បន្ថែមទម្រង់ «វហ្និសុនទរី»—សោភ័ណនៃភ្លើង។
Narada (teaching in a technical/Vedanga-oriented context, likely to Sanatkumara)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner merit (daśāṁśa/dāna) with outer ritual correctness (homa and yajña), stressing that spiritual efficacy depends on both offering and precise mantric/phonetic execution.
Bhakti here appears as disciplined worship—offering (lotus-homa) and reverent invocation of divine names (like Rāma) with correct recitation, showing devotion expressed through exact sacred practice.
Shiksha/Vyakarana-oriented guidance: attention to syllable-count (ṣaḍarṇavat) and specific phonetic markers involving the nasal ‘ṅ’, indicating how pronunciation and sound-structure are treated as technical requirements in ritual.