The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
तारो मया हृदंते स्याद्रामाय प्रणवांतिमः । शिवोमाराममंत्रोऽयमष्टार्णः सर्वसिद्धिदः ॥ ११३ ॥
tāro mayā hṛdaṃte syādrāmāya praṇavāṃtimaḥ | śivomārāmamaṃtro'yamaṣṭārṇaḥ sarvasiddhidaḥ || 113 ||
«តារា» (ព្រណវៈ អោំ) ខ្ញុំត្រូវដាក់នៅក្នុងបេះដូង ជាគ្រឹះខាងក្នុង; ហើយព្យាង្គចុងក្រោយគឺ «រាមាយ»។ នេះជាមន្ត្រ «សិវ–ឧមា–រាម» មន្ត្រ៨ព្យាង្គ ដែលប្រទានសិទ្ធិទាំងអស់។
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It codifies a specific mantra-structure (placing Pranava inwardly and using “rāmāya”) and declares it aṣṭārṇa and sarvasiddhida—indicating disciplined japa/upāsanā can yield both spiritual and ancillary attainments.
By prescribing remembrance “in the heart” and invoking revered deities (Śiva–Umā–Rāma), it frames devotion as internalized mantra-upāsanā where bhakti is practiced through sustained japa and contemplation.
It reflects mantra-śāstra style technicality—syllable-counting (aṣṭārṇa), placement (hṛd-ante), and mantra-formation markers (Pranava as a structural element), aligning with applied ritual-linguistic discipline associated with Vedāṅga-oriented practice.