The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
भानुभिः करणैर्मन्त्री वरेरंगानि कल्पयेत् । पूर्वोक्तरूपिणं ज्वालामालिनं नृहरिं स्मरेत् ॥ १०५ ॥
bhānubhiḥ karaṇairmantrī vareraṃgāni kalpayet | pūrvoktarūpiṇaṃ jvālāmālinaṃ nṛhariṃ smaret || 105 ||
ដោយប្រើ «កាំរស្មី» មន្ត្រ និងកាយមុទ្រា អ្នកសាធកគួររៀបចំអង្គល្អឥតខ្ចោះ (នៃទេវតា ក្នុងន្យាស)។ បន្ទាប់មក គួរសមាធិលើ នૃហរិ តាមរូបដែលបានពណ៌នាមុន មានព្រះមាលាអណ្តាតភ្លើង។
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that effective Nṛsiṁha-upāsanā unites inner remembrance (smaraṇa/dhyāna) with precise ritual construction (aṅga-nyāsa through karaṇas), culminating in meditation on the blazing, protective Narahari form.
Bhakti here is expressed as focused remembrance of Nṛhari’s previously taught form; the ritual steps support steady devotion by fixing mind and body on the deity’s limbs and radiance.
It reflects technical ritual discipline—use of karaṇa (hand-actions/mudrā) and aṅga-nyāsa (assignment of mantra to limbs)—a procedural, śāstra-based method aligned with Vedāṅga-style precision in practice.