Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
अंकुशं दधतं दोर्भिः श्लिष्टे कमलयोरसि । पश्यत्यंकस्थयांभोजश्रिया रागोल्लसदृशा ॥ १७३ ॥
aṃkuśaṃ dadhataṃ dorbhiḥ śliṣṭe kamalayorasi | paśyatyaṃkasthayāṃbhojaśriyā rāgollasadṛśā || 173 ||
កាន់អង្គុស (ឈើចាក់ដំរី) ដោយព្រះដៃទាំងឡាយ ហើយមានព្រះលក្ខ្មីកៀបជាប់លើទ្រូងដូចផ្កាកមល; ព្រះអង្គទតមើលស្រីសោភាដូចផ្កាកមលដែលអង្គុយលើព្រះភ្លៅ ដោយភ្នែកភ្លឺរលោងដោយក្តីស្នេហា។
Narada (within the Narada–Sanatkumara dialogue flow; descriptive/meditative narration)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
It presents a dhyāna-visualization of Viṣṇu with Śrī (Lakṣmī): the divine embrace and radiant gaze indicate inseparable grace (śrī) and lordship (aiśvarya), supporting devotional contemplation.
By giving a vivid form to meditate upon—Viṣṇu holding the aṅkuśa and united with Lakṣmī—it guides the devotee to steady the mind through loving, personal contemplation (saguṇa-bhakti).
It aligns with technical tradition (śāstra) used in ritual and worship—murti-lakṣaṇa and dhyāna-lakṣaṇa—helping priests and practitioners perform accurate pūjā and mantra-dhyāna with correct iconographic details.