Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
कुंडलां गदकेयूरहारिणं च त्रयीतनुम् । ध्यात्वैवं प्रजपेन्मंत्री वसुलक्षं दशांशतः ॥ २१ ॥
kuṃḍalāṃ gadakeyūrahāriṇaṃ ca trayītanum | dhyātvaivaṃ prajapenmaṃtrī vasulakṣaṃ daśāṃśataḥ || 21 ||
ធ្វើសមាធិដូច្នេះលើ ព្រះអម្ចាស់—ពាក់ក្រវិល កាន់គទា ពាក់កងដៃ និងខ្សែក ហើយរាងកាយជារូបនៃ ត្រៃវេដ—បន្ទាប់មក អ្នកអនុវត្តមន្ត្រ គួរសូត្រ ជបៈ ៨សែនដង ហើយបូជាផ្នែកមួយភាគដប់ ជាដសាំសៈ តាមវិធី។
Sage Sanatkumara (in instruction to Narada, within a ritual-technical discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links dhyāna (visualizing the Veda-embodied Lord with divine ornaments) to disciplined japa, showing that inner contemplation and precise repetition together complete a valid sādhana.
Bhakti here is practiced as loving remembrance: the devotee meditates on Vishnu’s auspicious form and then sustains that devotion through large-scale japa, making worship continuous and focused.
It highlights ritual quantification and completion rules—specific japa-saṅkhyā (vasulakṣa) and the daśāṁśa principle (one-tenth portion) commonly applied for concluding offerings in mantra-sādhanā.