Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
शङ्खमौशलचकाख्याः परमीकरणं ततः । महामुद्रां योनिमुद्रां दर्शयेत्क्रमतः सुधीः ॥ २० ॥
śaṅkhamauśalacakākhyāḥ paramīkaraṇaṃ tataḥ | mahāmudrāṃ yonimudrāṃ darśayetkramataḥ sudhīḥ || 20 ||
បន្ទាប់មក អ្នកប្រាជ្ញត្រូវបង្ហាញតាមលំដាប់ មុទ្រាដែលហៅថា សង្ខៈ (Śaṅkha), មៅសល (Mauśala), និង ចកា (Cakā)។ បន្ទាប់ពីនោះ ធ្វើពិធី «បរាមីករណ» (Paramīkaraṇa) ហើយបន្តបង្ហាញ មហាមុទ្រា (Mahā-mudrā) និង យោនីមុទ្រា (Yoni-mudrā) តាមលំដាប់។
Narada (teaching in a technical/yogic-ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes disciplined transmission of esoteric practice—mudrās and a consecratory procedure—taught in a precise order, suggesting that spiritual effects depend on correct sequencing and competent instruction.
Though technical, it supports Bhakti indirectly by presenting bodily-ritual disciplines as auxiliaries that stabilize the practitioner, making the mind fit for sustained remembrance and worship.
A technical, procedural pedagogy—clear nomenclature, ordered steps (krama), and demonstrative instruction (darśayet)—reflecting the Narada Purana’s Book 1.3 focus on applied sacred sciences and ritual-yogic method.