Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya
आदिमध्यावसानेषु हंसः प्रासादवाग्भवौ । हंसेंदुर्वा सकारो वा फकारो वर्म वा पुन ॥ २७ ॥
ādimadhyāvasāneṣu haṃsaḥ prāsādavāgbhavau | haṃseṃdurvā sakāro vā phakāro varma vā puna || 27 ||
នៅដើម កណ្ដាល និងចុង (នៃរូបមន្តដែលកំណត់) អាចដាក់ព្យាង្គប៊ីជៈ «ហំស»; ឬប្រើ «ប្រាសាទ» និង «វាគ្ភវ»។ ឬក៏ប្រើ «ហំស–ឥន្ទុ», ឬព្យាង្គ «ស», ឬ «ផ», ឬប៊ីជៈការពារ «វර්ម» ម្តងទៀត។
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches the regulated placement of specific bīja-syllables (like haṃsa, vāgbhava, varma) within a mantra, emphasizing that spiritual efficacy depends on precise sound-structure and protective/clarifying mantra components.
In the Narada Purana’s technical sections, devotion is supported by disciplined mantra-practice: correct bīja usage is presented as a means to steady the mind and invoke divine grace, making bhakti more focused and effective.
Śikṣā (phonetics) and mantra-vidhi are implied—how syllables are inserted in specific positions (beginning/middle/end) and how protective bīja-s like “varma” are used as ritual-technical safeguards.