Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
पुत्रावूचतुरिति कृत्वा मतिं सो 'थ निष्पाद्योदकदानिकम् ।
क्रियाश्चानन्तरं कृत्वा प्रत्युवाच ऋतध्वजः ॥
putrāv ūcatuḥ iti kṛtvā matiṃ so 'tha niṣpādyo daka-dānikam / kriyāś cānantaraṃ kṛtvā pratyuvāca ṛtadhvajaḥ
ពេលកូនប្រុសទាំងពីរបាននិយាយរួច គាត់កំណត់ចិត្ត ហើយបានធ្វើពិធីបូជាទឹក; បន្ទាប់ពីបានបំពេញពិធីបន្ទាប់ៗតាមរបៀបរួច Ṛtadhvaja ក៏ឆ្លើយតប។
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Before speech and decision, ritual order is maintained: grief is integrated into dharma through prescribed actions (udaka-dāna and related kriyās), reflecting the purāṇic ideal of stabilizing the mind via duty.
Not pañcalakṣaṇa proper; it is dharma-ācāra (ritual conduct) embedded in narrative, supporting vaṃśānucarita-style storytelling.
Water-offering symbolizes release and continuity: the flow of life is ritually acknowledged, allowing the agent to move from emotional paralysis to articulate resolve.