Agni Purana — Raja-dharma, Shloka 6
Rājābhiṣeka-kathana
Account of the Royal Consecration
घोषयित्वा जयं राज्ञो राजा भद्रासने स्थितः अभयं घोषयेद् दुर्गान्मोचयेद्राज्यपालके
ghoṣayitvā jayaṃ rājño rājā bhadrāsane sthitaḥ abhayaṃ ghoṣayed durgānmocayedrājyapālake
ក្រោយពេលប្រកាសជ័យជម្នះរបស់ព្រះរាជា ព្រះរាជាអង្គុយលើព្រះសីហាសន៍មង្គល គួរប្រកាសអភ័យទាន និងដោះលែងអ្នកដែលត្រូវឃុំក្នុងបន្ទាយ ហើយលើកលែងមន្ត្រី/យាមដែលថែរក្សារាជ្យ។
Lord Agni (in dialogue with the sage Vasiṣṭha, as the primary narrator of Agni Purana’s instructional sections)
Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Dharmashastra","practical_application":"Royal proclamation protocol after victory: announce security (abhaya), issue amnesty/release from forts, and regularize/relieve state protectors/guards to restore civil order.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Post-victory royal proclamation: jaya-ghoṣa, abhaya, and release from forts","lookup_keywords":["jaya-ghoṣa","abhaya-ghoṣa","durga-bandhana-mokṣa","rājadharma","rājyapālaka"],"quick_summary":"After victory the king, enthroned, publicly declares safety and orders release of detainees from forts, stabilizing governance and reducing fear in the realm."}
Concept: Rājadharma as fear-removal (abhaya-dāna) and restoration of social equilibrium after conquest.
Application: Use public proclamations and measured clemency to convert military victory into legitimate, stable rule.
Khanda Section: Rajadharma (Kingship, governance, fort-administration, royal proclamations)
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A victorious king seated on an auspicious throne in the court, heralds proclaiming victory and safety, gates of a fort opening as prisoners are released and guards/officials are formally discharged or reassigned.","kerala_mural_prompt":"Kerala temple mural style, flat vibrant colors, a crowned king on bhadrāsana under a canopy, conch-and-drum heralds, fort gateway opening, figures receiving abhaya gesture, ornamental borders, traditional attire.","tanjore_prompt":"Tanjore painting, central enthroned king with gold-leaf halo-like arch, attendants with flywhisks, inscription-like jaya/abhaya proclamation, fort gate vignette at side, rich reds and greens, heavy jewelry, gold work emphasis.","mysore_prompt":"Mysore painting, refined linework, court scene with labeled elements (bhadrāsana, durga gate), calm faces, narrative sequencing of proclamation then release, muted palette with delicate shading.","mughal_miniature_prompt":"Mughal miniature, detailed durbar with carpeted throne, herald reading proclamation, fort in background with opening doors, released captives and officials, naturalistic faces, fine architectural detail and perspective."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: दुर्गान्मोचयेत् = दुर्गान् + मोचयेत्; मोचयेद्राज्यपालके = मोचयेत् + राज्यपालके (त् + र → द्र).
Related Themes: Agni Purana: Rajadharma sections on forts (durga), punishment (daṇḍa), and royal proclamations; Agni Purana: Abhaya-dāna and śānti rites in consecration context
FAQs
It teaches a practical governance protocol: after victory, the king should issue a public proclamation (jaya-ghoṣa) and an abhaya declaration (assurance/amnesty), and order releases connected with fort administration and state protectors.
Beyond theology, it preserves statecraft: how a ruler communicates victory, stabilizes public order through abhaya, and manages forts and royal personnel—showing the Purana’s coverage of administrative and legal-polity topics.
Declaring abhaya and releasing the confined reflects dharmic kingship—reducing fear and harm after conflict—supporting the king’s merit through protection (rakṣaṇa) and compassionate, stabilizing rule.