The Manifestation of Katyayani (Durga) and the Humbling of the Vindhya by Agastya
इत्येवमुक्त्वा भगवाञ्जगाम दिशं स याम्यां सहसान्तरिक्षम् आक्रम्य तस्थौ स हि तां तदाशां काले व्रजाम्यत्र यदा मुनीन्द्रः
ityevamuktvā bhagavāñjagāma diśaṃ sa yāmyāṃ sahasāntarikṣam ākramya tasthau sa hi tāṃ tadāśāṃ kāle vrajāmyatra yadā munīndraḥ
かく語り終えると、世尊はたちまち虚空を翔けて南方へ向かった。その方角に至ると、彼はそこに留まり、心に念じた。「時至れば、諸仙の最勝が来るとき、われはここへ赴こう。」
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The verse emphasizes kāla (right timing) and deliberate action: even divine or exemplary actors move with purpose, waiting for the appropriate moment and the arrival of the qualified sage.
Vamśānucarita / carita-type narration (episode-level narrative of exemplary figures), rather than cosmogenesis (sarga/pratisarga) or dynastic genealogy proper.
Movement to the southern quarter can signal transition into forest/penance space and the intentional creation of a setting where tapas and instruction (via a munīndra) will unfold.